There’s maybe no major auteur in cinema as unassuming as Richard Linklater. A Houston, Texas born film nerd who got his start making DIY, low-budget films around Austin, Linklater has maintained the scrappy, laidback vibe of his first feature even as his prestige has risen and his budgets have grown. The average Linklater film unfolds with a careful sense of effortlessness, loosely moving through vignettes with a keen naturalistic flow.
That’s not to say Linklater is an unambitious filmmaker; far from it. This is a man who took a seemingly small one day romance film in “Before Sunrise” and created an ambitious 20-year trilogy out of it, using the love story of Jesse and Céline as a canvas upon which to explore ideas of aging, growth, and the cruel passage of time. With “Boyhood,” he took a completely new approach to the classic coming-of-age narrative by shooting on...
That’s not to say Linklater is an unambitious filmmaker; far from it. This is a man who took a seemingly small one day romance film in “Before Sunrise” and created an ambitious 20-year trilogy out of it, using the love story of Jesse and Céline as a canvas upon which to explore ideas of aging, growth, and the cruel passage of time. With “Boyhood,” he took a completely new approach to the classic coming-of-age narrative by shooting on...
- 6/11/2024
- by Wilson Chapman and Harrison Richlin
- Indiewire
With a premise about young love, two charismatic leads and a title like Winter Spring Summer or Fall, Tiffany Paulsen’s feature is likely to draw vague comparisons to Richard Linklater’s Before Sunrise (and sequels). But while it’s highly unlikely to attain that canonical status, this film edges into distinctive enough territory thanks to Wednesday stars Jenna Ortega and Percy Hynes White. Their genuine chemistry and grounded performances give the feathery story a needed touch of weight.
Premiering at the Tribeca Film Festival, Winter Spring Summer or Fall aims to gift Gen Z the kind of rooting-for-them romance on offer for every generation: the unlikely match-up at the center of A Walk to Remember; the music-driven pairing of Nick & Norah’s Infinite Playlist; and, as mentioned, the more emotionally risky and formally adventurous Before movies.
The film follows Remi (Ortega) and Barnes (White), two New Jersey teens who...
Premiering at the Tribeca Film Festival, Winter Spring Summer or Fall aims to gift Gen Z the kind of rooting-for-them romance on offer for every generation: the unlikely match-up at the center of A Walk to Remember; the music-driven pairing of Nick & Norah’s Infinite Playlist; and, as mentioned, the more emotionally risky and formally adventurous Before movies.
The film follows Remi (Ortega) and Barnes (White), two New Jersey teens who...
- 6/7/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
In films, the leading actor is often referred to as the figure with the majority of screen time, and in most cases, they’re the one who gets the shot at the Best Actor accolade in major Award events. But there have been instances when this wasn’t the case.
Anthony Hopkins in Silence of the Lambs
For example, Anthony Hopkins won the Oscar for Best Actor for playing everyone’s favorite cannibal in The Silence of the Lambs, even though he appeared onscreen for a mere 24 minutes. However, in The Godfather‘s case, Marlon Brando nabbed the nod for Best Actor at the Oscars, even though Al Pacino fit that bracket on paper.
Ethan Hawke also found himself on a similar boat after starring opposite Denzel Washington in the 2001 crime thriller Training Day, which earned the latter an Oscar for Best Actor.
Ethan Hawke Missed out on the Best...
Anthony Hopkins in Silence of the Lambs
For example, Anthony Hopkins won the Oscar for Best Actor for playing everyone’s favorite cannibal in The Silence of the Lambs, even though he appeared onscreen for a mere 24 minutes. However, in The Godfather‘s case, Marlon Brando nabbed the nod for Best Actor at the Oscars, even though Al Pacino fit that bracket on paper.
Ethan Hawke also found himself on a similar boat after starring opposite Denzel Washington in the 2001 crime thriller Training Day, which earned the latter an Oscar for Best Actor.
Ethan Hawke Missed out on the Best...
- 6/6/2024
- by Santanu Roy
- FandomWire
Richard Linklater has been known as the filmmaker known for making chill, feel-good yet thought-provoking films over the years. While his Before trilogy might have gained more traction than others, he perfectly captured the wild, fun, and coming-of-age vibes of teenagers with Dazed and Confused and its spiritual sequel Everybody Wants Some!!.
Before Sunrise remains one of Richard Linklater’s most loved films | Columbia Pictures
Linklater is also known for his experimental films that explore the human like Boyhood. The filmmaker is also a fan of films in general and filmmakers who have come before him. Martin Scorsese is definitely one of them and despite its many controversial elements, Linklater chose Goodfellas as his favorite Scorsese feature.
Richard Linklater Loves ‘Controversial’ Goodfellas And Can Quote The Whole Film Robert De Niro and Ray Liotta in Martin Scorsese’s Goodfellas | Warner Bros Pictures
Richard Linklater has been a seminal filmmaker since...
Before Sunrise remains one of Richard Linklater’s most loved films | Columbia Pictures
Linklater is also known for his experimental films that explore the human like Boyhood. The filmmaker is also a fan of films in general and filmmakers who have come before him. Martin Scorsese is definitely one of them and despite its many controversial elements, Linklater chose Goodfellas as his favorite Scorsese feature.
Richard Linklater Loves ‘Controversial’ Goodfellas And Can Quote The Whole Film Robert De Niro and Ray Liotta in Martin Scorsese’s Goodfellas | Warner Bros Pictures
Richard Linklater has been a seminal filmmaker since...
- 6/3/2024
- by Rahul Thokchom
- FandomWire
The 15th anniversary edition of the London Indian Film Festival will open on June 26 with the European Premiere of U.S. indie, tear-jerker drama “Paper Flowers,” directed by Mahesh Pailoor (“Brahmin Bulls”), starring “Deadpool’s” Karan Soni. It will close on July 3 with a screening of ultra-violent Indian actioner “Kill,” which is produced by Karan Johar and Guneet Monga and which represents Lionsgate’s first foray into South Asian film production.
In between, the festival will operate across five additional cities and thematically extend itself across feature film, TV series, short films, Xr and gaming.
“It’s been an incredible journey marking 15 years this year and we are delighted to expand into new U.K. cities, welcoming Bradford and Liverpool into our 6-city reach. It’s also personally exciting to have such a talented team and innovative partners, as we push ahead to explore new frontiers of South Asian gaming...
In between, the festival will operate across five additional cities and thematically extend itself across feature film, TV series, short films, Xr and gaming.
“It’s been an incredible journey marking 15 years this year and we are delighted to expand into new U.K. cities, welcoming Bradford and Liverpool into our 6-city reach. It’s also personally exciting to have such a talented team and innovative partners, as we push ahead to explore new frontiers of South Asian gaming...
- 5/29/2024
- by Patrick Frater
- Variety Film + TV
Glen Powell is acing at his fame game of winning hearts over quite spectacularly, considering how he has not only won fans over from all around the globe but even has his co-stars enchanted by his charmingly alluring personality. He can create chemistry with just anyone thanks to his remarkable acting chops, and Adria Arjona’s statement about him stands as proof of the same.
Glen Powell in Top Gun: Maverick. | Credit: Paramount Pictures.
This happened recently at a very special event that honored Powell with a Hall of Famer position, where his Hit Man co-star Arjona was present as well. Not only did the 32-year-old Puerto Rican actress have a ton of praises to heave her co-star and on-screen love interest with, but she even went so far as to claim that this wasn’t his summer, but rather, it was his decade.
Adria Arjona Has a Lot of...
Glen Powell in Top Gun: Maverick. | Credit: Paramount Pictures.
This happened recently at a very special event that honored Powell with a Hall of Famer position, where his Hit Man co-star Arjona was present as well. Not only did the 32-year-old Puerto Rican actress have a ton of praises to heave her co-star and on-screen love interest with, but she even went so far as to claim that this wasn’t his summer, but rather, it was his decade.
Adria Arjona Has a Lot of...
- 5/20/2024
- by Mahin Sultan
- FandomWire
Richard Linklater just had his hometown premiere for “Hit Man” in Austin May 15, at which his star and co-writer Glen Powell was inducted into the Texas Film Hall of Fame. But he’s already wrapped his next movie, “Nouvelle Vague.”
Shot in Paris, “Nouvelle Vague” tells the story of Jean-Luc Godard making his jump from Cahiers du Cinema film critic (Cahiers is also fittingly where the first look images from “Nouvelle Vague” made their debut) to filmmaker with the making of his first movie, “Breathless.” Guillaume Marbeck is Godard, and Zoe Deutsch plays his star Jean Seberg.
On the red carpet of the “Hit Man” premiere, Linklater talked to IndieWire about what he hopes viewers take away from “Nouvelle Vague” and, especially, what we can learn from the French New Wave filmmakers at this moment when there’s such doom and gloom about the future of cinema.
“Just absolute love and dedication to cinema,...
Shot in Paris, “Nouvelle Vague” tells the story of Jean-Luc Godard making his jump from Cahiers du Cinema film critic (Cahiers is also fittingly where the first look images from “Nouvelle Vague” made their debut) to filmmaker with the making of his first movie, “Breathless.” Guillaume Marbeck is Godard, and Zoe Deutsch plays his star Jean Seberg.
On the red carpet of the “Hit Man” premiere, Linklater talked to IndieWire about what he hopes viewers take away from “Nouvelle Vague” and, especially, what we can learn from the French New Wave filmmakers at this moment when there’s such doom and gloom about the future of cinema.
“Just absolute love and dedication to cinema,...
- 5/19/2024
- by Christian Blauvelt
- Indiewire
Clockwise from bottom left: Before Sunrise (Columbia Pictures), Jaws (Universal Pictures), Y Tu Mamá También (20th Century Fox), Body Heat (Warner Bros.)Graphic: The A.V. Club
Summer can bring about more than just a certain mood evoked by warmer weather. Perhaps more than other seasons, it can bring up specific memories.
Summer can bring about more than just a certain mood evoked by warmer weather. Perhaps more than other seasons, it can bring up specific memories.
- 5/10/2024
- by Jen Lennon, Saloni Gajjar, Drew Gillis, Tim Lowery, Emma Keates, Cindy White, Jacob Oller, and Mary Kate Carr
- avclub.com
Exclusive: Entertainment Squad, has acquired SXSW’s premiere film, Peak Season, and set a theatrical release for August 2.
Helmed by Henry Loevner and Steven Kanter, who previously collaborated on the critically acclaimed The End of Us, Peak Season is an exploration of personal discovery and the road less traveled set against the stunning backdrop of Jackson Hole, Wyoming. The film stars Claudia Restrepo, Derrick DeBlasis, and Ben Coleman, Fred Melamed and Stephanie Courtney who is famously known as “Flo” in Progressive commercials.
Both a bittersweet romantic comedy and a clever social commentary, Peak Season follows a burnt-out New Yorker who travels to Wyoming with her fiancé, but then falls for a handsome, yet troubled ski-bum, and questions whether to leave her city life behind.
Loevner and Kanter commented in a joint statement: “We set out...
Helmed by Henry Loevner and Steven Kanter, who previously collaborated on the critically acclaimed The End of Us, Peak Season is an exploration of personal discovery and the road less traveled set against the stunning backdrop of Jackson Hole, Wyoming. The film stars Claudia Restrepo, Derrick DeBlasis, and Ben Coleman, Fred Melamed and Stephanie Courtney who is famously known as “Flo” in Progressive commercials.
Both a bittersweet romantic comedy and a clever social commentary, Peak Season follows a burnt-out New Yorker who travels to Wyoming with her fiancé, but then falls for a handsome, yet troubled ski-bum, and questions whether to leave her city life behind.
Loevner and Kanter commented in a joint statement: “We set out...
- 5/6/2024
- by Valerie Complex
- Deadline Film + TV
In March 2020, during the first days of the Covid pandemic, IndieWire launched an Instagram Live series. The idea was to hold a causal conversation with talent about their creative process and how they spend their free time, a discussion that took on a very different meaning against the uncertain backdrop of the lockdown. IndieWire instinctively turned to Ethan Hawke to launch the series and set the tone; and at a time when most creatives understandably went dark, Hawke was hungry for the conversation.
Later that summer, the actor-writer-director gave a Ted-Ed talk, “Give yourself permission to be creative.” Even if you haven’t watched the nine-minute talk, you’ve seen it: Excerpts, four years later, still flood most social media feeds on a daily basis.
In the most viral clip, Hawke, discussing what happens to people when they suffer a great loss, said, “Did anyone feel like this before? What is happening to me?...
Later that summer, the actor-writer-director gave a Ted-Ed talk, “Give yourself permission to be creative.” Even if you haven’t watched the nine-minute talk, you’ve seen it: Excerpts, four years later, still flood most social media feeds on a daily basis.
In the most viral clip, Hawke, discussing what happens to people when they suffer a great loss, said, “Did anyone feel like this before? What is happening to me?...
- 4/30/2024
- by Chris O'Falt
- Indiewire
It can be a fine line between goodbye and good riddance. Carlo Chatrian might have breathed a sigh of relief when his tenure as Berlinale’s creative director came to an end this February, yet wherever the festival goes from here, his reign will be warmly remembered. Not least for Encounters, the sidebar he instituted, which fast became a home and launching pad for films too daring or challenging for the competition proper. This year’s edition opened with a film that felt like a legacy pick: in 2022, Ruth Beckermann’s Mutzenbacher became the first documentary to win the top prize, and Beckermann returned this year with Favoriten, a work that itself seemed to echo and engage with another gem of the Chatrian reign, Mr. Bachman and His Class, a film about a multi-cultural classroom in a German high school. Beckermann’s film moves that concept to the most diverse neighborhood in Vienna,...
- 4/29/2024
- by Rory O'Connor
- The Film Stage
Ethan Hawke is flexing his cinephile status as the latest curator for film club platform Galerie, just in time for the collection to launch on streaming apps Apple TV and Roku.
Galerie was founded in November 2023 by production company Indian Paintbrush. Galerie is led by Andy Shapiro, chief innovation officer, who has been with Indian Paintbrush since 2018. The program has subscriptions for $10 per month, with filmmakers and artists like Wes Anderson, Mike Mills, Taylor Russell, Karyn Kusama, Maggie Gyllenhaal, Elizabeth Chai Vasarhelyi, James Gray, Lukas Dhont, Reinaldo Marcus Green, and Kim Gordon serving as curators and film conversation panelists.
Hawke’s tenure as this month’s curator coincides with Galerie being unveiled on streaming platforms to host a variety of new interactive experiences for film lovers. With the release of its Apple TV and Roku apps (to be followed by Amazon Fire and Android TV), members can watch films and...
Galerie was founded in November 2023 by production company Indian Paintbrush. Galerie is led by Andy Shapiro, chief innovation officer, who has been with Indian Paintbrush since 2018. The program has subscriptions for $10 per month, with filmmakers and artists like Wes Anderson, Mike Mills, Taylor Russell, Karyn Kusama, Maggie Gyllenhaal, Elizabeth Chai Vasarhelyi, James Gray, Lukas Dhont, Reinaldo Marcus Green, and Kim Gordon serving as curators and film conversation panelists.
Hawke’s tenure as this month’s curator coincides with Galerie being unveiled on streaming platforms to host a variety of new interactive experiences for film lovers. With the release of its Apple TV and Roku apps (to be followed by Amazon Fire and Android TV), members can watch films and...
- 4/22/2024
- by Samantha Bergeson
- Indiewire
It has been nearly 30 years since Richard Linklater’s “Before Sunrise” premiered at Sundance and introduced us to the infectiously intoxicating and devastating chemistry between Ethan Hawke and Julie Delpy. Followed by the even more emotionally overwhelming “Before Sunset,” Linklater’s three-part romance saga concluded in 2013 with “Before Midnight.”
On Thursday, April 11, Dior, the Cinema Society, and Oscilloscope Laboratories hosted the New York City premiere of “Wildcat,” which Hawke directed, at the Angelika and Bar Tulix. To celebrate the upcoming 30-year anniversary of “Before Sunrise,” we asked him if he would return to the “Before” trilogy if Richard Linklater ever approached him with a script.
“Definitely,” Hawke said of making a fourth installment. “The whole reason those movies worked the way they did is because all three of us were like-minded. It would have to be the three of us all feeling the same impulse.”
Returning as a director for “Wildcat,...
On Thursday, April 11, Dior, the Cinema Society, and Oscilloscope Laboratories hosted the New York City premiere of “Wildcat,” which Hawke directed, at the Angelika and Bar Tulix. To celebrate the upcoming 30-year anniversary of “Before Sunrise,” we asked him if he would return to the “Before” trilogy if Richard Linklater ever approached him with a script.
“Definitely,” Hawke said of making a fourth installment. “The whole reason those movies worked the way they did is because all three of us were like-minded. It would have to be the three of us all feeling the same impulse.”
Returning as a director for “Wildcat,...
- 4/12/2024
- by Vincent Perella
- Indiewire
What comes “After Hours” but “Before Sunrise”? Well, one wild day.
The niche yet beloved genre of films that take place over the course of a mere 24 hours is a market all on its own. Sure, people fall in love over the span of a day, and oftentimes even people fall out of love with their ideals over the course of merely a few hours, like in “Do the Right Thing.” Robberies take place (“Dog Day Afternoon”), high school is graduated (“Booksmart”), and even death sentences are doled out (“Cléo from 5 to 7”).
The stunningly cinematic experience of having just the “one day at a time” phrase come to life onscreen feels as though it’s playing out almost in real-time. These adventures could be attainable, whether you want them to be or not. These heartbreaks, these realizations, and yes, even just this living from moment to moment, is truly what...
The niche yet beloved genre of films that take place over the course of a mere 24 hours is a market all on its own. Sure, people fall in love over the span of a day, and oftentimes even people fall out of love with their ideals over the course of merely a few hours, like in “Do the Right Thing.” Robberies take place (“Dog Day Afternoon”), high school is graduated (“Booksmart”), and even death sentences are doled out (“Cléo from 5 to 7”).
The stunningly cinematic experience of having just the “one day at a time” phrase come to life onscreen feels as though it’s playing out almost in real-time. These adventures could be attainable, whether you want them to be or not. These heartbreaks, these realizations, and yes, even just this living from moment to moment, is truly what...
- 4/4/2024
- by Samantha Bergeson
- Indiewire
[Editor’s Note: this list was originally published October 2017. It has since been updated to coincide with the release of “Godzilla X Kong: The New Empire.”]
From a certain perspective, monster movies might not seem to be as relevant during monstrous times. But in an age when our fears seem larger than life and the world constantly seems as though it’s on the brink of collapse, the best examples of the genre can almost assume a documentary-like authenticity, reflecting our reality as vividly as vérité ever could.
“The Babadook” might be about a demon that pops out of a children’s book, but no recent film does a better job of capturing the acute reality of living with grief. “Cloverfield” follows a gaggle of pre-Instagram model millennials as they’re chased around Manhattan by a bug-eyed colossus, but few of the somber post-9/11 dramas do a better job of distilling the heartsick chaos of watching your hometown try to make sense of a senseless attack. “The Village” is...
From a certain perspective, monster movies might not seem to be as relevant during monstrous times. But in an age when our fears seem larger than life and the world constantly seems as though it’s on the brink of collapse, the best examples of the genre can almost assume a documentary-like authenticity, reflecting our reality as vividly as vérité ever could.
“The Babadook” might be about a demon that pops out of a children’s book, but no recent film does a better job of capturing the acute reality of living with grief. “Cloverfield” follows a gaggle of pre-Instagram model millennials as they’re chased around Manhattan by a bug-eyed colossus, but few of the somber post-9/11 dramas do a better job of distilling the heartsick chaos of watching your hometown try to make sense of a senseless attack. “The Village” is...
- 4/2/2024
- by Wilson Chapman
- Indiewire
Falling in Love Like in Movies is a movie that feels almost too personal to explain. When we think about love, everyone has their own take on it, right? And that’s exactly the case for Bagus and Hana, the main characters. They’ve got completely different views on love. Bagus is a screenwriter with a serious crush on Hana. He’s all about writing his love story from his point of view. But Hana’s dealing with some heavy personal stuff. She’s recently lost her husband and thinks she’ll never fall in love again. She’s closed off to the idea of giving love another shot. And you know what? That’s totally normal! But Bagus—he’s not having it. He’s ignoring her feelings and trying to convince her to move on like it’s a piece of cake. But let’s be real: love’s anything but simple,...
- 3/30/2024
- by Sutanuka Banerjee
- Film Fugitives
Cinephiles will have plenty to celebrate this April with the next slate of additions to the Criterion Channel. The boutique distributor, which recently announced its June 2024 Blu-ray releases, has unveiled its new streaming lineup highlighted by an eclectic mix of classic films and modern arthouse hits.
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.
New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.
Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.
Contemporary cinema is also well represented,...
- 3/18/2024
- by Christian Zilko
- Indiewire
April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama for a two-film Bertrand Bonello retrospective, starting just four days before The Beast opens. Larger and rarer (but just as French) is the complete Jean Eustache series Janus toured last year. Meanwhile, five William Friedkin films and work from Makoto Shinkai, Lizzie Borden, and Rosine Mbakam are given a highlight.
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...
- 3/18/2024
- by Nick Newman
- The Film Stage
"Fans haven't just fallen in love with the band's songs, they've fallen in love with the band." 4Digital Media has revealed an official trailer for an indie romance film / musical titled The Brink Of, from filmmaker Patrick Meaney. This already premiered at a few regional film festivals recently, winning Audience Awards at the Golden State and Vero Beach Film Festivals. Indie pop due Lena and James are rising artists whose emotional songs connect with listeners and leave fans wondering if the two are more than just bandmates. Working on their first album leads them to reflect on how deep their relationship really runs, as they work through many challenges. Starring Nicolette Norgaard as Lena & Tim Hoffmann as James, along with Mina Tobias, Sara Silva, Athena Demos, and Daniel Kim. You can listen to a few songs from the film here. Described as similar in vibes to Once, A Star Is Born,...
- 3/17/2024
- by Alex Billington
- firstshowing.net
The main draw on the surface of writer-director Marco Calvani’s lovely if overly dramatic feature debut is the jaw-dislocating physical beauty of its star. That might sound crass, but “High Tide” is a movie that dares you not to be obsessed with — and attracted to — its leading man. Actor Marco Pigossi, Calvani’s real-life partners, enters the first frame as if sculpted out of marble, or butter even, stripping down to nothing and rushing into the sea off a desolate nude beach along Provincetown, Massachusetts, in a spin of anguish.
The cold open is a bookend “High Tide” will return to at its climax. It’s also a chilly plunge into a baptismal, hoped-for catharsis for Lourenço (Pigossi), a Brazilian immigrant with an expiring tourist visa reeling from a sudden breakup and now stuck in the United States, hoping to stay there. Bereft and abandoned by his unseen American...
The cold open is a bookend “High Tide” will return to at its climax. It’s also a chilly plunge into a baptismal, hoped-for catharsis for Lourenço (Pigossi), a Brazilian immigrant with an expiring tourist visa reeling from a sudden breakup and now stuck in the United States, hoping to stay there. Bereft and abandoned by his unseen American...
- 3/9/2024
- by Ryan Lattanzio
- Indiewire
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Video: Hollywood Insider YouTube Channel
Oscar Snubs: 10 Actors Denied Their Worthy Oscar Best Actor and Best Actress Awards (In No Specific Order) Ethan Hawke
With four nominations and a league of amazing films under his belt, it is both a shame and a surprise that we haven’t seen an oscar in Ethan Hawke’s hands. Wearing many hats, Hawke is known for directing and writing alongside his acting career. My first introduction to Ethan Hawke was Reality Bites, also starring the intriguing Winona Ryder and Ben Stiller.
Quite a poignant film for these trying times, as the theme revolves around young adults trying to forge their path in a world where entry-level jobs are unpromising--even with a degree it seems bleak to find a respectable career coming out of college. A greasy-haired Ethan Hawke is the ultimate 90’s grunge heartthrob, a coffee-house guitarist filled...
Video: Hollywood Insider YouTube Channel
Oscar Snubs: 10 Actors Denied Their Worthy Oscar Best Actor and Best Actress Awards (In No Specific Order) Ethan Hawke
With four nominations and a league of amazing films under his belt, it is both a shame and a surprise that we haven’t seen an oscar in Ethan Hawke’s hands. Wearing many hats, Hawke is known for directing and writing alongside his acting career. My first introduction to Ethan Hawke was Reality Bites, also starring the intriguing Winona Ryder and Ben Stiller.
Quite a poignant film for these trying times, as the theme revolves around young adults trying to forge their path in a world where entry-level jobs are unpromising--even with a degree it seems bleak to find a respectable career coming out of college. A greasy-haired Ethan Hawke is the ultimate 90’s grunge heartthrob, a coffee-house guitarist filled...
- 3/6/2024
- by Melissa McGrath
- Hollywood Insider - Substance & Meaningful Entertainment
[Editor’s note: this story was originally published in January 2024. We updated and recirculated it in advance of the 96th Academy Awards on March 10.]
The Oscars are a cruel, selective beast. With only 10 movies recognized in the Best Picture race, and five entries in every other category, it’s an unfortunate reality that many high quality, deserving films each year will end up with nothing on nomination day.
The 2024 Oscar class is no different, with plenty of cries of snubbery coming out after their January 23 announcement. Most of the discussion has been taken up by the shocking blanks for Margot Robbie and Greta Gerwig, who missed out on Best Actress and Best Director respectively for their work on “Barbie,” the indisputable film juggernaut of the year. Other major surprises included Charles Melton missing out for his breakout turn in “May December,” and Leonardo DiCaprio getting left out of the Best Actor race for “Killers of the Flower Moon.” Other surprises proved of the more pleasant sort, with on-the-bubble contenders making it in like Robbie...
The Oscars are a cruel, selective beast. With only 10 movies recognized in the Best Picture race, and five entries in every other category, it’s an unfortunate reality that many high quality, deserving films each year will end up with nothing on nomination day.
The 2024 Oscar class is no different, with plenty of cries of snubbery coming out after their January 23 announcement. Most of the discussion has been taken up by the shocking blanks for Margot Robbie and Greta Gerwig, who missed out on Best Actress and Best Director respectively for their work on “Barbie,” the indisputable film juggernaut of the year. Other major surprises included Charles Melton missing out for his breakout turn in “May December,” and Leonardo DiCaprio getting left out of the Best Actor race for “Killers of the Flower Moon.” Other surprises proved of the more pleasant sort, with on-the-bubble contenders making it in like Robbie...
- 3/4/2024
- by Wilson Chapman
- Indiewire
When rising star (and recently minted breakthrough star) Vivian Oparah was nominated for her first BAFTA, in the stacked Best Actress in a Leading Role category, she did what any young, hip, and stunned star might: she took her feelings to Instagram. Upon learning she was nominated for her charming work in Raine Allen-Miller’s rom-com “Rye Lane” — her first leading film role — alongside such heavy-hitters as Fantasia Barrino, Sandra Huller, Carey Mulligan, Margot Robbie, and Emma Stone, Oparah shared a picture of the nominees and simply wrote: “I’ve run out of words. what insane company like wtaf.”
“I wish I could have been more articulate in that moment,” Oparah told IndieWire during a recent interview. “But I literally was like, ‘What the hell?’”
Oparah still remembers when she got the script: it was early days with Covid, and she’d gone on a day trip to the Seven...
“I wish I could have been more articulate in that moment,” Oparah told IndieWire during a recent interview. “But I literally was like, ‘What the hell?’”
Oparah still remembers when she got the script: it was early days with Covid, and she’d gone on a day trip to the Seven...
- 2/14/2024
- by Kate Erbland
- Indiewire
Ethan Hawke must’ve enjoyed his guest spot on Reservation Dogs: The Oscar-nominated actor has signed on to star in a FX drama pilot written and directed by Reservation Dogs co-creator Sterlin Harjo, our sister site Deadline reports.
The drama, which is titled The Sensitive Kind and just earned a pilot order from FX, is described as a “Tulsa noir” and will star Hawke as “a guy who knows too much.”
More from TVLineTVLine Items: Rhoa Return, Bargain Block Renewed and MoreNight Court to Bring Back Brent Spiner and Annie O'Donnell as the Wheelers, Along With Another Big Bang VeteranThe...
The drama, which is titled The Sensitive Kind and just earned a pilot order from FX, is described as a “Tulsa noir” and will star Hawke as “a guy who knows too much.”
More from TVLineTVLine Items: Rhoa Return, Bargain Block Renewed and MoreNight Court to Bring Back Brent Spiner and Annie O'Donnell as the Wheelers, Along With Another Big Bang VeteranThe...
- 2/14/2024
- by Dave Nemetz
- TVLine.com
Sterlin Harjo has landed a drama pilot order at FX with Ethan Hawke attached to star, Variety has learned.
The pilot is titled “The Sensitive Kind.” Exact plot details are being kept under wraps aside from the fact it is described as a “Tulsa noir about a guy (Hawke) who knows too much.”
Harjo created the project and will also serve as director and executive producer. Hawke will executive produce in addition to starring, with Garret Basch also executive producing. FX Studios, where Harjo is under an overall deal, will produce.
The pilot marks a reunion for Harjo and Hawke. Hawke appeared in the penultimate episode of Harjo’s FX series “Reservation Dogs.”
Harjo is best known for co-creating “Reservation Dogs” with Taika Waititi. The series, which followed the lives of four Indigenous teenagers on a reservation in Oklahoma, ran for three critically-acclaimed seasons at FX. The third and final...
The pilot is titled “The Sensitive Kind.” Exact plot details are being kept under wraps aside from the fact it is described as a “Tulsa noir about a guy (Hawke) who knows too much.”
Harjo created the project and will also serve as director and executive producer. Hawke will executive produce in addition to starring, with Garret Basch also executive producing. FX Studios, where Harjo is under an overall deal, will produce.
The pilot marks a reunion for Harjo and Hawke. Hawke appeared in the penultimate episode of Harjo’s FX series “Reservation Dogs.”
Harjo is best known for co-creating “Reservation Dogs” with Taika Waititi. The series, which followed the lives of four Indigenous teenagers on a reservation in Oklahoma, ran for three critically-acclaimed seasons at FX. The third and final...
- 2/14/2024
- by Joe Otterson
- Variety Film + TV
Clockwise from top left: Priceless (Screengrab); 2 Days In Paris (Screengrab); Jeffrey (Screengrab); Something’s Gotta Give (Screengrab); The Big Sick (Amazon/Lionsgate); My Man Godfrey (Screengrab)
Lovers of romantic comedies have an array of options on Amazon Prime Video—particularly when it comes to oldies but goodies. Cary Grant classics abound,...
Lovers of romantic comedies have an array of options on Amazon Prime Video—particularly when it comes to oldies but goodies. Cary Grant classics abound,...
- 2/10/2024
- by The A.V. Club
- avclub.com
Vivian Oparah is aware of the spotlight on her following her BAFTA Film Awards nomination for her breakthrough performance in Searchlight’s romance movie Rye Lane, but she feels it’s imperative that she “stay grounded” because it’s a more disparate path towards stardom for Black actresses.
“For me, this is just the beginning of my career in so many ways, and to be recognized at this level so early on feels super special,” she tells me, “But I still understand that the trajectory of a Black female actor is very different to everyone else’s, so you can’t rest on your laurels because there isn’t a well trodden track that you can just jump on.”
Raine Allen-Miller’s debut feature Rye Lane, a rom-com scripted by Nathan Byron and Tom Melia and set in South London, sees Oparah playing opposite David Jonsson as strangers who have a chance encounter in a gender-neutral toilet and spend the day getting to know each other. Deadline critic Anna Smith called it “a big, energetic bounce forward” for the rom-com genre and called in a “sunny, irreverent take on life and love” that’s at its “most exhilarating when playing out in real time, Before Sunrise-style.” Oparah and Jonsson were lauded for their performances, landing them a Best Joint Lead Performance nomination and Oparah a Breakthrough Performance win at British Independent Film Awards, where the film competed in 16 categories. Then came the BAFTA nom.
“I’m grateful but you also need to stay grounded,” Oparah tells me from Los Angeles, where she’s been meeting her U.S. reps at CAA. She’ll be back in time for the BAFTA ceremony at London’s Southbank Centre on Sunday, February 18.
Yes, the attention that winning the BIFA for Breakthrough Performance and being up for a BAFTA brings is indeed “super special” but Oparah’s mantra is simply: Stay proactive, level-headed “and hard-working.”
I wonder, perhaps somewhat provocatively, whether she felt that a young white female actor in her situation would have had her face splashed all over the British press? Maybe, she answers, but then white female actors “have been working visibly for a lot longer time.”
And, she notes, that “if a moment like this happens in someone [from a traditional acting background]’s career” there’s “a clear path” to their next job. “I feel like for us, because we’ve we’ve only just been let into these spaces, that path hasn’t really been defined yet. It’s just a matter of continuing to work hard and sometimes defining that path for yourself.”
The good news is she is up for the challenge. ”That doesn’t intimidate me,” she says. “It excites me. The playing field still isn’t level and that’s fine. I don’t really internalise it. I just know that I can’t get swept away in the moment.”
David Jonsson,Raine Allen-Miller and Vivian Oprah at Sundance 2023
Oparah’s table at the BIFAs was next to where I was seated, and the stunned surprise on her face when her name was called brightened into the most gorgeous smile. If she initially looked stunned, it’s because, well, she was.
Equally, she calls the BAFTA nomination “insane and disorienting” because the category has so many people on it “that I am inspired by or look up to. I’m just so happy to be there, man, honestly.” It’s indeed top-level competition: Fantasia Barrino for The Color Purple, Sandra Hüller for Anatomy of a Fall, Carey Mulligan fir Maestro, Margot Robbie for Barbie and Emma Stone for Poor Things.
The movie’s also up for outstanding British Film, and those recognized on the nomination sheet are director Allen-Miller, producers Yvonne Isimeme Ibazebo and Damian Jones, and screenwriters Bryon and Melia.
The film was shot the film in 2021 during the Covid pandemic, with additional photography filmed a year later. Oparah laughs when she notes, “And now here we are three years on.”
The film’s available on Disney+ and every now and again I sneak a look at it, not only to marvel at the fact that a romcom featuring a Black, seemingly mismatched, couple of strangers — who meet cute in a lavatory in — got made, but also that the characters aren’t your stereotypical Black drug dealer or single mother with five kids. That’s a theme, by the way, that director Cord Jefferson observes in his brilliant American Fiction.
In Allen-Miller’s feature debut, Oparah’s Yas is a costume designer, who offers David Jonsson’s Dom, an accountant, a shoulder to cry on when she hears him wailing in the loo. Yes, Black people lead normal lives.
Yas is a bit of a live-wire, and Oparah loves that she’s not a measured, strait-laced romantic lead. ”She is messy and chaotic and is unapologetic in her mess, and I loved that they wanted to portray that,” she says, though she confesses it required “a lot of stamina.”
“They’re picking us because they want us“
When her agent at Independent Talent Group suggested she send in a self-tape to audition for Rye Lane — remember this was during lockdown and self-taping was novel — she scoffed at the idea, thinking, ‘No-one’s watching all of this’.”
Lo and behold, a month later she was meeting casting director Kharmel Cochrane, who was telling her to “just act cool” reading for the audition. “I was like, ‘I don’t know what that means… Have you been in my house?,'” she says laughing over our Zoom call.
After the audition, she did a chemistry read and got the part. She’s still shocked she got it.
“I was like, ‘You would want me to be in a romantic comedy?’ Usually, if you have a dark-skinned male lead you might have a light-skinned woman, and we’re both dark-skinned. I was like, ’They’re picking us because they want us.”
She admires Allen-Miller for creating “such a loving set” and because the director “cherry picks people that she thinks are extremely talented” but also has “a ‘no dickhead’ policy,” which was felt during filming as “everyone was so warm and collaborative.” For that reason, Oparah happily refers to the shoot as “my best filming experience.”
Hailing Allen-Miller as the “captain of the ship,” she was cheered to see “so early in my career, an example of someone who’s incredibly talented and unwavering in their kindness,” she says warmly. “Everyday you’re looking forward to be at work and seeing someone crafting something really masterfully.”
Meeting with her CAA agents has given her a boost, she says. “I have a lot of writing aspirations and everything that I thought that I wanted, but didn’t know how to access now seems accessible, and that’s the most exciting part for sure.” She adds, “I really want to actualise these writing projects.”
Writing was her first career arc, she jokes, “when I was literally a kid, when I was ten.” While she was appearing in a junior production of Snow White, gleefully playing the Wicked Witch, she and a friend wrote a book called Roxie and Dynamite, about two girls who were adopted and left to their own devices by the mother. “That was so fun to write,” she says, adding: “And I won a poetry contest when I was in primary school — I was like a book worm.” The tome has been carefully preserved by her mother.
Upcoming is a TV series, a comedy thriller called Dead Hot for Amazon’s Prime Video, directed by Sam Arbor and David Sant, and written by Charlotte Coben. Oparah plays Jess — “a very insecure, grief-stricken girl,” according to the actress. The role follows key parts in television shows that include Intelligence season 2, I May Destroy You and Class, a Doctor Who spin-off series.
I saw her at the Old Vic in Fanny & Alexander, but I really noticed her in Brandon Jacobs Jenkins’s exhilarating An Octoroon at the Orange Tree Theatre in Richmond, my old stomping ground, and when it transferred to the Dorfman at the National Theatre.
She’s definitely up for more theatre. “Something boundary-pushing. I’d be down for that, for sure,” she says.
Out of nowhere, a line she utters in Rye Lane comes into my head [very mild spoiler follows]. It’s where Yas announces that she’s always wanted to own a restaurant called Maggots by Candlelight. I dunno, it’s silly and just makes me smile. I wonder whether some of the lines in Rye Lane will catch on with the public, the way, say, people quote from Notting Hill and Love Actually?
Oparah indulges me, and thinks my point isn’t as daft as it sounds.
“Rye Lane means so much to people in our community and that means the world to me,” she says. “The Black community isn’t a monolith, and we know that, and there are different pockets that this film still manages to resonate with: People from 17 to 60. I hope that it chrysalises in British culture.”
Now this is important: Oparah is a north Londoner, now based in Tottenham, though her early childhood was spent in Highbury. Soccer fans will know where this is headed.
Is she a Tottenham Hotspur supporter? Anticipating the question, Oparah quietly announces that she’s always been a follower of Arsenal. I raise my arms in delight.
“Oh, wow, you too!,” she cries.
Vivian Oparah will go far.
“For me, this is just the beginning of my career in so many ways, and to be recognized at this level so early on feels super special,” she tells me, “But I still understand that the trajectory of a Black female actor is very different to everyone else’s, so you can’t rest on your laurels because there isn’t a well trodden track that you can just jump on.”
Raine Allen-Miller’s debut feature Rye Lane, a rom-com scripted by Nathan Byron and Tom Melia and set in South London, sees Oparah playing opposite David Jonsson as strangers who have a chance encounter in a gender-neutral toilet and spend the day getting to know each other. Deadline critic Anna Smith called it “a big, energetic bounce forward” for the rom-com genre and called in a “sunny, irreverent take on life and love” that’s at its “most exhilarating when playing out in real time, Before Sunrise-style.” Oparah and Jonsson were lauded for their performances, landing them a Best Joint Lead Performance nomination and Oparah a Breakthrough Performance win at British Independent Film Awards, where the film competed in 16 categories. Then came the BAFTA nom.
“I’m grateful but you also need to stay grounded,” Oparah tells me from Los Angeles, where she’s been meeting her U.S. reps at CAA. She’ll be back in time for the BAFTA ceremony at London’s Southbank Centre on Sunday, February 18.
Yes, the attention that winning the BIFA for Breakthrough Performance and being up for a BAFTA brings is indeed “super special” but Oparah’s mantra is simply: Stay proactive, level-headed “and hard-working.”
I wonder, perhaps somewhat provocatively, whether she felt that a young white female actor in her situation would have had her face splashed all over the British press? Maybe, she answers, but then white female actors “have been working visibly for a lot longer time.”
And, she notes, that “if a moment like this happens in someone [from a traditional acting background]’s career” there’s “a clear path” to their next job. “I feel like for us, because we’ve we’ve only just been let into these spaces, that path hasn’t really been defined yet. It’s just a matter of continuing to work hard and sometimes defining that path for yourself.”
The good news is she is up for the challenge. ”That doesn’t intimidate me,” she says. “It excites me. The playing field still isn’t level and that’s fine. I don’t really internalise it. I just know that I can’t get swept away in the moment.”
David Jonsson,Raine Allen-Miller and Vivian Oprah at Sundance 2023
Oparah’s table at the BIFAs was next to where I was seated, and the stunned surprise on her face when her name was called brightened into the most gorgeous smile. If she initially looked stunned, it’s because, well, she was.
Equally, she calls the BAFTA nomination “insane and disorienting” because the category has so many people on it “that I am inspired by or look up to. I’m just so happy to be there, man, honestly.” It’s indeed top-level competition: Fantasia Barrino for The Color Purple, Sandra Hüller for Anatomy of a Fall, Carey Mulligan fir Maestro, Margot Robbie for Barbie and Emma Stone for Poor Things.
The movie’s also up for outstanding British Film, and those recognized on the nomination sheet are director Allen-Miller, producers Yvonne Isimeme Ibazebo and Damian Jones, and screenwriters Bryon and Melia.
The film was shot the film in 2021 during the Covid pandemic, with additional photography filmed a year later. Oparah laughs when she notes, “And now here we are three years on.”
The film’s available on Disney+ and every now and again I sneak a look at it, not only to marvel at the fact that a romcom featuring a Black, seemingly mismatched, couple of strangers — who meet cute in a lavatory in — got made, but also that the characters aren’t your stereotypical Black drug dealer or single mother with five kids. That’s a theme, by the way, that director Cord Jefferson observes in his brilliant American Fiction.
In Allen-Miller’s feature debut, Oparah’s Yas is a costume designer, who offers David Jonsson’s Dom, an accountant, a shoulder to cry on when she hears him wailing in the loo. Yes, Black people lead normal lives.
Yas is a bit of a live-wire, and Oparah loves that she’s not a measured, strait-laced romantic lead. ”She is messy and chaotic and is unapologetic in her mess, and I loved that they wanted to portray that,” she says, though she confesses it required “a lot of stamina.”
“They’re picking us because they want us“
When her agent at Independent Talent Group suggested she send in a self-tape to audition for Rye Lane — remember this was during lockdown and self-taping was novel — she scoffed at the idea, thinking, ‘No-one’s watching all of this’.”
Lo and behold, a month later she was meeting casting director Kharmel Cochrane, who was telling her to “just act cool” reading for the audition. “I was like, ‘I don’t know what that means… Have you been in my house?,'” she says laughing over our Zoom call.
After the audition, she did a chemistry read and got the part. She’s still shocked she got it.
“I was like, ‘You would want me to be in a romantic comedy?’ Usually, if you have a dark-skinned male lead you might have a light-skinned woman, and we’re both dark-skinned. I was like, ’They’re picking us because they want us.”
She admires Allen-Miller for creating “such a loving set” and because the director “cherry picks people that she thinks are extremely talented” but also has “a ‘no dickhead’ policy,” which was felt during filming as “everyone was so warm and collaborative.” For that reason, Oparah happily refers to the shoot as “my best filming experience.”
Hailing Allen-Miller as the “captain of the ship,” she was cheered to see “so early in my career, an example of someone who’s incredibly talented and unwavering in their kindness,” she says warmly. “Everyday you’re looking forward to be at work and seeing someone crafting something really masterfully.”
Meeting with her CAA agents has given her a boost, she says. “I have a lot of writing aspirations and everything that I thought that I wanted, but didn’t know how to access now seems accessible, and that’s the most exciting part for sure.” She adds, “I really want to actualise these writing projects.”
Writing was her first career arc, she jokes, “when I was literally a kid, when I was ten.” While she was appearing in a junior production of Snow White, gleefully playing the Wicked Witch, she and a friend wrote a book called Roxie and Dynamite, about two girls who were adopted and left to their own devices by the mother. “That was so fun to write,” she says, adding: “And I won a poetry contest when I was in primary school — I was like a book worm.” The tome has been carefully preserved by her mother.
Upcoming is a TV series, a comedy thriller called Dead Hot for Amazon’s Prime Video, directed by Sam Arbor and David Sant, and written by Charlotte Coben. Oparah plays Jess — “a very insecure, grief-stricken girl,” according to the actress. The role follows key parts in television shows that include Intelligence season 2, I May Destroy You and Class, a Doctor Who spin-off series.
I saw her at the Old Vic in Fanny & Alexander, but I really noticed her in Brandon Jacobs Jenkins’s exhilarating An Octoroon at the Orange Tree Theatre in Richmond, my old stomping ground, and when it transferred to the Dorfman at the National Theatre.
She’s definitely up for more theatre. “Something boundary-pushing. I’d be down for that, for sure,” she says.
Out of nowhere, a line she utters in Rye Lane comes into my head [very mild spoiler follows]. It’s where Yas announces that she’s always wanted to own a restaurant called Maggots by Candlelight. I dunno, it’s silly and just makes me smile. I wonder whether some of the lines in Rye Lane will catch on with the public, the way, say, people quote from Notting Hill and Love Actually?
Oparah indulges me, and thinks my point isn’t as daft as it sounds.
“Rye Lane means so much to people in our community and that means the world to me,” she says. “The Black community isn’t a monolith, and we know that, and there are different pockets that this film still manages to resonate with: People from 17 to 60. I hope that it chrysalises in British culture.”
Now this is important: Oparah is a north Londoner, now based in Tottenham, though her early childhood was spent in Highbury. Soccer fans will know where this is headed.
Is she a Tottenham Hotspur supporter? Anticipating the question, Oparah quietly announces that she’s always been a follower of Arsenal. I raise my arms in delight.
“Oh, wow, you too!,” she cries.
Vivian Oparah will go far.
- 2/9/2024
- by Baz Bamigboye
- Deadline Film + TV
Clockwise from top left: Jeff, Who Lives At Home (Screenshot); The Farewell (Photo: A24); igby Goes Down (Screenshot); Election (Screenshot); Young Adult (Screenshot); Friends With Kids (Screenshot); Ghost World (Screenshot)Graphic: The A.V. Club
Streaming libraries expand and contract. Algorithms are imperfect. Those damn thumbnail images are always changing. But...
Streaming libraries expand and contract. Algorithms are imperfect. Those damn thumbnail images are always changing. But...
- 1/30/2024
- by The A.V. Club
- avclub.com
Richard Linklater’s ongoing fascination with the passage of time has seen him use lengthy shooting schedules to make some of the most beloved independent films of the last quarter century. He famously spent a decade shooting “Boyhood” in order to accurately showcase the process of his actors aging, and the 18-year gap between “Before Sunrise” and “Before Midnight” (with “Before Sunset” coming in between) allowed him to capture a relationship from its initial spark to the domesticity of marriage. But his upcoming adaptation of Stephen Sondheim’s “Merrily We Roll Along” might be his most ambitious undertaking yet.
Sondheim’s musical — which has a book by George Furth and is based on George S. Kaufman and Moss Hart’s play of the same name — famously tells the story of three friends whose lives change over the course of 20 years as they pursue diverging career paths in show business.
The...
Sondheim’s musical — which has a book by George Furth and is based on George S. Kaufman and Moss Hart’s play of the same name — famously tells the story of three friends whose lives change over the course of 20 years as they pursue diverging career paths in show business.
The...
- 1/27/2024
- by Christian Zilko
- Indiewire
Mark Ruffalo’s breakout role in Kenneth Lonergan’s “You Can Count on Me” almost didn’t happen.
In a Monday interview with Jason Bateman, Sean Hayes and Will Arnett on their “Smartless” podcast, the “Poor Things” Oscar nominee recalled “literally begging” the celebrated playwright and filmmaker for the role of Terry in the 2000 feature – even though it was initially offered to Ethan Hawke.
Ruffalo had previously worked on Lonergan’s blockbuster Broadway production of “This Is Our Youth” in 1996 with costars Missy Yager and Josh Hamilton, so he had a leg to stand on when demanding an audition with Lonergan for his debut feature film.
Retelling the incident on “Smartless,” Ruffalo said that he was out to lunch in New York City with Lonergan when they ran into Ethan Hawke, who was apparently in the running for the lead role in “You Can Count on Me.” Ruffalo said it...
In a Monday interview with Jason Bateman, Sean Hayes and Will Arnett on their “Smartless” podcast, the “Poor Things” Oscar nominee recalled “literally begging” the celebrated playwright and filmmaker for the role of Terry in the 2000 feature – even though it was initially offered to Ethan Hawke.
Ruffalo had previously worked on Lonergan’s blockbuster Broadway production of “This Is Our Youth” in 1996 with costars Missy Yager and Josh Hamilton, so he had a leg to stand on when demanding an audition with Lonergan for his debut feature film.
Retelling the incident on “Smartless,” Ruffalo said that he was out to lunch in New York City with Lonergan when they ran into Ethan Hawke, who was apparently in the running for the lead role in “You Can Count on Me.” Ruffalo said it...
- 1/25/2024
- by Francie Ebert
- The Wrap
At this year’s Sundance Film Festival, the IndieWire team is endeavoring to take you into the heart of the festival experience, thanks to a series of rolling roundups that aim to synthesize each day, all the action, most of the drama, and the stuff everyone is talking about, in Park City and beyond.
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
Day Five
We’ll admit it: Day 5 at Sundance started on a bit of a slower note, at least over at IndieWire Editorial Condo No. 2, whose inhabitants were still processing both our (In)Famous Chili Party and/or Aaron Schimberg’s wild “A Different Man.” The first day after the festival’s opening weekend tends to spell a slower vibe, with many leaving after the first flush of premieres and parties, and Park City easing, ever so slowly, back into a more normal pace.
Though I’d already seen Richard Linklater’s sexy action comedy “Hit Man...
- 1/23/2024
- by Kate Erbland, Ryan Lattanzio and Marcus Jones
- Indiewire
When someone talks about a “hit man movie,” or a film about a contract killer, certain images spring to mind: a lonely soul, hollowed out on the inside and waiting across a street with a sniper rifle; a merciless killer who takes no pleasure in life while dealing out cold, calculated professionalism in his trade; maybe a lot of glowering. These are familiar tropes which can sometimes be done well—see: David Fincher’s The Killer on Netflix as Exhibit A. Perhaps, however, their familiarity is why Richard Linklater’s Hit Man has struck a chord with everyone who’s laid eyes on it.
An apparently goofy and feel-good story about a wiseacre assassin and the love story he gets wrapped up in along the way, Hit Man is the latest collaboration between the director of Boyhood and the Before Sunrise trilogy and his evermore popular muse, Glen Powell. Powell...
An apparently goofy and feel-good story about a wiseacre assassin and the love story he gets wrapped up in along the way, Hit Man is the latest collaboration between the director of Boyhood and the Before Sunrise trilogy and his evermore popular muse, Glen Powell. Powell...
- 1/22/2024
- by David Crow
- Den of Geek
Clockwise from bottom left: Beetlejuice (Warner Bros.), Palm Springs (Hulu), The Guilt Trip (Paramount), Frank (Magnolia) Graphic: AVClub
Hulu is a great resource for viewers seeking laughs, as this round-up of the platform’s best available comedy movies can attest. The A.V. Club’s list particularly proves that Hulu...
Hulu is a great resource for viewers seeking laughs, as this round-up of the platform’s best available comedy movies can attest. The A.V. Club’s list particularly proves that Hulu...
- 1/20/2024
- by The A.V. Club
- avclub.com
Maureen “Mo” Henry, the veteran negative cutter and a giant in the postproduction community, died Sunday of complications from liver failure in Los Angeles, her son, Logan, told The Hollywood Reporter. She was 67.
During her half-century in Hollywood, Henry cut negatives on hundreds of films, starting with Jaws (1975). She followed with such movies as Ghost (1990), Heat (1995), Casino (1995), Before Sunrise (1995), From Dusk Till Dawn (1996), The Fifth Element (1997), Starship Troopers (1997), The Big Lebowski (1998), The Iron Giant (1999), The Sixth Sense (1999), My Big Fat Greek Wedding (2002), Million Dollar Baby (2004), Babel (2006), The Blind Side (2009) and Intersteller (2014) and entries in the Matrix, Dark Knight, Shrek and Spider-Man franchises.
Hers was a family business, she explained in a 2020 interview for the Chicago Film Society.
“My family immigrated from Ireland, and my aunt was the oldest of several kids, she’s about 20 years older than my dad,” she said. “When they moved to Hollywood, she just walked up...
During her half-century in Hollywood, Henry cut negatives on hundreds of films, starting with Jaws (1975). She followed with such movies as Ghost (1990), Heat (1995), Casino (1995), Before Sunrise (1995), From Dusk Till Dawn (1996), The Fifth Element (1997), Starship Troopers (1997), The Big Lebowski (1998), The Iron Giant (1999), The Sixth Sense (1999), My Big Fat Greek Wedding (2002), Million Dollar Baby (2004), Babel (2006), The Blind Side (2009) and Intersteller (2014) and entries in the Matrix, Dark Knight, Shrek and Spider-Man franchises.
Hers was a family business, she explained in a 2020 interview for the Chicago Film Society.
“My family immigrated from Ireland, and my aunt was the oldest of several kids, she’s about 20 years older than my dad,” she said. “When they moved to Hollywood, she just walked up...
- 1/18/2024
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
Sundance Film Festival’s Top 10 List
The Sundance Film Festival is celebrating its 40th edition with the 2024 festival running January 18th through 28th in Park City and Salt Lake City. In honor of the milestone event, Sundance called on the filmmaking community to put together a list of the top 10 feature films that have screened at the annual festival.
Over 4,000 feature films have been presented at the festival, and culling that massive list to 10 required the input of 500+ filmmakers, critics, and industry members who shared their personal top 10 lists. Topping the All Time Top 10 Films list is Damien Chazelle’s Whiplash, which debuted in 2014. Whiplash, starring J.K. Simmons and Miles Teller, won the Audience Award: U.S. Dramatic and the Grand Jury Prize: U.S. Dramatic at the festival and went on to win three Oscars.
Feature film directing debuts of Steven Soderbergh, Jordan Peele, and Quentin Tarantino were voted onto the list.
The Sundance Film Festival is celebrating its 40th edition with the 2024 festival running January 18th through 28th in Park City and Salt Lake City. In honor of the milestone event, Sundance called on the filmmaking community to put together a list of the top 10 feature films that have screened at the annual festival.
Over 4,000 feature films have been presented at the festival, and culling that massive list to 10 required the input of 500+ filmmakers, critics, and industry members who shared their personal top 10 lists. Topping the All Time Top 10 Films list is Damien Chazelle’s Whiplash, which debuted in 2014. Whiplash, starring J.K. Simmons and Miles Teller, won the Audience Award: U.S. Dramatic and the Grand Jury Prize: U.S. Dramatic at the festival and went on to win three Oscars.
Feature film directing debuts of Steven Soderbergh, Jordan Peele, and Quentin Tarantino were voted onto the list.
- 1/16/2024
- by Rebecca Murray
- Showbiz Junkies
The Sundance Film Festival will be commencing this week. After a preview of the upcoming schedule, this year looks to sport a bevy of AI-themed projects as well as a heavy list of horror films. Sundance will be celebrating its 40th year with a special list of top ten feature films that have been showcased throughout its entire run. These films have been picked by the filmmaking community.
Sundance‘s official press release reads,
“Today, in advance of the 40th edition of the Sundance Film Festival kicking off on January 18, the nonprofit Sundance Institute is commemorating the four decades of extraordinary independent filmmaking presented at the Festival with the results of a survey taken by the filmmaking communities on their top ten feature films that have screened at the Festival since it began in 1985.
In honor of this milestone Festival, filmmakers, critics, and industry members shared their personal top 10 lists.
Sundance‘s official press release reads,
“Today, in advance of the 40th edition of the Sundance Film Festival kicking off on January 18, the nonprofit Sundance Institute is commemorating the four decades of extraordinary independent filmmaking presented at the Festival with the results of a survey taken by the filmmaking communities on their top ten feature films that have screened at the Festival since it began in 1985.
In honor of this milestone Festival, filmmakers, critics, and industry members shared their personal top 10 lists.
- 1/16/2024
- by EJ Tangonan
- JoBlo.com
The titles were selected by over 500 industry representatives.
Damien Chazelle’s Whiplash has topped a poll of over 500 film industry representatives selecting their top 10 feature films to have premiered at Sundance Film Festival.
The festival commissioned the poll to commemorate its first four decades of filmmaking, ahead of the festival’s 40th edition, running from January 18-28 in Utah, US.
Scroll down for the all-time Sundance top 10
Filmmakers, critics and industry representatives contributed to the poll, selecting from almost 4,000 feature films to have played at the festival since its first year in 1985.
Chazelle’s second feature Whiplash caused an immediate buzz at the 2014 festival,...
Damien Chazelle’s Whiplash has topped a poll of over 500 film industry representatives selecting their top 10 feature films to have premiered at Sundance Film Festival.
The festival commissioned the poll to commemorate its first four decades of filmmaking, ahead of the festival’s 40th edition, running from January 18-28 in Utah, US.
Scroll down for the all-time Sundance top 10
Filmmakers, critics and industry representatives contributed to the poll, selecting from almost 4,000 feature films to have played at the festival since its first year in 1985.
Chazelle’s second feature Whiplash caused an immediate buzz at the 2014 festival,...
- 1/16/2024
- by Ben Dalton
- ScreenDaily
In honor of the 40th anniversary of the iconic Sundance Film Festival, the nonprofit Sundance Institute is looking back on the legacy of films that debuted at the fest.
After surveying more than 500 filmmakers, critics, and industry members, Damien Chazelle’s 2014 debut feature “Whiplash” was awarded the title of top Sundance film of all time. “Whiplash” actor Jk Simmons won the Academy Award for his portrayal of an abusive music teacher opposite Miles Teller. Writer-director Chazelle went on to direct “First Man,” “La La Land,” and “Babylon.”
The Sundance Film Festival since 1985 has premiered 4,000 feature films over the decades. The collective top 10 list of the Sundance Film Festival celebrates films that have “touched hearts and changed lives,” according to the Institute.
While Chazelle’s Audience Award and Grand Jury Prize-winning “Whiplash” landed in the top slot, Joel and Ethan Coen’s directorial debut “Blood Simple,” Alfonso Cuarón’s “Y tu mamá también,...
After surveying more than 500 filmmakers, critics, and industry members, Damien Chazelle’s 2014 debut feature “Whiplash” was awarded the title of top Sundance film of all time. “Whiplash” actor Jk Simmons won the Academy Award for his portrayal of an abusive music teacher opposite Miles Teller. Writer-director Chazelle went on to direct “First Man,” “La La Land,” and “Babylon.”
The Sundance Film Festival since 1985 has premiered 4,000 feature films over the decades. The collective top 10 list of the Sundance Film Festival celebrates films that have “touched hearts and changed lives,” according to the Institute.
While Chazelle’s Audience Award and Grand Jury Prize-winning “Whiplash” landed in the top slot, Joel and Ethan Coen’s directorial debut “Blood Simple,” Alfonso Cuarón’s “Y tu mamá también,...
- 1/16/2024
- by Samantha Bergeson
- Indiewire
Richard Linklater wanted to get Julie Delpy and Ethan Hawke back for a fourth Before movie – but it’s not to be.
Ask people to name a pretty much perfect movie trilogy, and Richard Linklater’s sublime Before… series of films surely comes near the top of the list.
Crikey, re-reading that opening sentence and it’s as if it’s been churned out of an AI machine. I’ll try again.
Before Sunrise is a brilliant film. Before Sunset is a brilliant film. Before Midnight is a brilliant film. Across a damn-near perfect movie trilogy, Julie Delpy and Ethan Hawke have walked for miles in front of Richard Linklater’s camera, charting the story of a couple at different times of their lives.
The films respectively came out in 1995, 2003 and 2013, with – as you can probably deduce – a nine year gap between each. Julie Delpy plays Celine, Ethan Hawke plays Jesse,...
Ask people to name a pretty much perfect movie trilogy, and Richard Linklater’s sublime Before… series of films surely comes near the top of the list.
Crikey, re-reading that opening sentence and it’s as if it’s been churned out of an AI machine. I’ll try again.
Before Sunrise is a brilliant film. Before Sunset is a brilliant film. Before Midnight is a brilliant film. Across a damn-near perfect movie trilogy, Julie Delpy and Ethan Hawke have walked for miles in front of Richard Linklater’s camera, charting the story of a couple at different times of their lives.
The films respectively came out in 1995, 2003 and 2013, with – as you can probably deduce – a nine year gap between each. Julie Delpy plays Celine, Ethan Hawke plays Jesse,...
- 12/22/2023
- by Simon Brew
- Film Stories
It’s hard to believe, but four-time Academy Award nominee Ethan Hawke has celebrated almost four decades in the film business. Hawke made his film debut in Joe Dante‘s 1985 film, “Explorers.”
Although an accomplished Tony-nominated stage actor, Hawke is primarily celebrated for his work in movies. He is one of the few performers who has been a double Oscar nominee in both the acting category (“Training Day” and “Boyhood”) and writing (“Before Sunrise” and “Before Midnight”). Hawke has also been nominated for two Screen Actors Guild Awards (“Training Day” and “Boyhood”), as well as a Golden Globe nod for “Boyhood.”
Unquestionably, Hawke’s most notable film collaborations have been with writer/director Richard Linklater, who had the ability to bring out something extra in him. In three “Before” films — “Before Sunrise” (1995), “Before Sunset” (2004) and “Before Midnight” (2013) — Hawke broke hearts all over the world as Jesse with his relationship with Julie Delpy‘s Céline.
Although an accomplished Tony-nominated stage actor, Hawke is primarily celebrated for his work in movies. He is one of the few performers who has been a double Oscar nominee in both the acting category (“Training Day” and “Boyhood”) and writing (“Before Sunrise” and “Before Midnight”). Hawke has also been nominated for two Screen Actors Guild Awards (“Training Day” and “Boyhood”), as well as a Golden Globe nod for “Boyhood.”
Unquestionably, Hawke’s most notable film collaborations have been with writer/director Richard Linklater, who had the ability to bring out something extra in him. In three “Before” films — “Before Sunrise” (1995), “Before Sunset” (2004) and “Before Midnight” (2013) — Hawke broke hearts all over the world as Jesse with his relationship with Julie Delpy‘s Céline.
- 12/19/2023
- by Tom O'Brien, Chris Beachum and Misty Holland
- Gold Derby
Director Rob Reiner confirms that Spinal Tap 2 is very much alive and will go before cameras in a couple of months.
It’s been well over a year since we heard that Castle Rock Entertainment, the brilliant production company that gave us such late 80s/early 90s classics as When Harry Met Sally, A Few Good Men and Before Sunrise, was reforming. After a stellar run, the company peaked in the mid-90s and was eventually folded into Warner Bros by 2002.
However, Castle Rock Entertainment relaunched its film division in October of 2022, still under the ownership of Warner Bros, and last summer the production company announced its first project: This Is Spinal Tap II.
The legendary ‘rock doc’ spoof was (Castle Rock Entertainment co-founder) Rob Reiner’s first film as director and it was announced last year that he would be returning to make the sequel. Original stars Micheal McKean,...
It’s been well over a year since we heard that Castle Rock Entertainment, the brilliant production company that gave us such late 80s/early 90s classics as When Harry Met Sally, A Few Good Men and Before Sunrise, was reforming. After a stellar run, the company peaked in the mid-90s and was eventually folded into Warner Bros by 2002.
However, Castle Rock Entertainment relaunched its film division in October of 2022, still under the ownership of Warner Bros, and last summer the production company announced its first project: This Is Spinal Tap II.
The legendary ‘rock doc’ spoof was (Castle Rock Entertainment co-founder) Rob Reiner’s first film as director and it was announced last year that he would be returning to make the sequel. Original stars Micheal McKean,...
- 11/28/2023
- by Dan Cooper
- Film Stories
Last Call for Istanbul is a romantic drama film directed by Gonenc Uyanik, from a screenplay by Nuran Evren Sit. The Netflix film revolves around two married people who have a chance to meet at the New York airport and because of that they spend an unforgettable night full of desire, temptation, and excitement in a city that never sleeps. Last Call for Istanbul stars Kivanç Tatlitug and Beren Saat in the lead roles of Mehmet and Serin. So, if you loved the Netflix film here are some similar movies you could watch next.
Before We Go Credit – RADiUS
Synopsis: Two strangers stuck in Manhattan for the night grow into each other’s most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
Before Sunrise (Max & Prime Video Add-On) Credit – Castle Rock Entertainment
Synopsis: Ethan Hawke and Julie Delpy...
Before We Go Credit – RADiUS
Synopsis: Two strangers stuck in Manhattan for the night grow into each other’s most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
Before Sunrise (Max & Prime Video Add-On) Credit – Castle Rock Entertainment
Synopsis: Ethan Hawke and Julie Delpy...
- 11/27/2023
- by Kulwant Singh
- Cinema Blind
Actor and filmmaker Ethan Hawke received the Stockholm Film Festival’s Lifetime Achievement Award 2023 at Biograf Skandia.
Hawke and his daughter, Maya Hawke, posed for a picture together on the red carpet at the ceremony.
Ethan, 53, made his film debut at the age of 14 in the 1985 sci-fi film Explorers, followed by his breakthrough performance as Todd Anderson in Dead Poets Society. He went on to star alongside Julie Delpy in the Before trilogy from 1995 to 2013, which he collaborated on with film director/writer Richard Linklater.
Ethan has received four Academy Award nominations in his career, along with two nominations for Best Supporting Actor for his performance in the 2001 crime/thriller Training Day and three nominations for Best Adapted Screenplay for the Before trilogy films. The three films, Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013), were based on a woman named Amy Lehrhaupt, whom writer/director Richard Linklater met in a...
Hawke and his daughter, Maya Hawke, posed for a picture together on the red carpet at the ceremony.
Ethan, 53, made his film debut at the age of 14 in the 1985 sci-fi film Explorers, followed by his breakthrough performance as Todd Anderson in Dead Poets Society. He went on to star alongside Julie Delpy in the Before trilogy from 1995 to 2013, which he collaborated on with film director/writer Richard Linklater.
Ethan has received four Academy Award nominations in his career, along with two nominations for Best Supporting Actor for his performance in the 2001 crime/thriller Training Day and three nominations for Best Adapted Screenplay for the Before trilogy films. The three films, Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013), were based on a woman named Amy Lehrhaupt, whom writer/director Richard Linklater met in a...
- 11/14/2023
- by Baila Eve Zisman
- Uinterview
What Happens Later is a romantic drama film directed by the star Meg Ryan, from a screenplay by Steven Dietz and Kirk Lynn. The film revolves around two exes who bump into each other at an airport because of delayed airplanes. Both of them spend the night at the airport while reminiscing about their past. What Happens Later also stars David Duchovny. So, if you loved the film here are some similar movies you could watch next.
When Harry Met Sally (Showtime & Prime Video Add-On) Credit – Warner Bros.
Synopsis: Rob Reiner’s romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives,...
When Harry Met Sally (Showtime & Prime Video Add-On) Credit – Warner Bros.
Synopsis: Rob Reiner’s romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives,...
- 11/5/2023
- by Kulwant Singh
- Cinema Blind
Meg Ryan has returned to rom-coms, but sadly, even one she co-wrote and directed is not worthy of her charm. Ryan co-stars alongside David Duchovny in “What Happens Later,” based on the play “Shooting Star” by Steven Dietz. Ryan co-wrote the script along with playwright Dietz and Kirk Lynn; the film marks her sophomore directorial effort following 2015’s WWII drama “Ithaca.”
In the film, Ryan and Duchovny play two halves of the same whole — literally. Both star-crossed characters are named W. Davis, which the script reminds audiences every ten minutes or so in metronome-like precision. The first W. Davis, William, who goes by Bill (Duchovny), is a former poet and songwriter-turned-stockbroker whose youthful artistic hopes are rekindled after running into his ex-girlfriend, Willa (Ryan). Their bickering turns to banter turns to, yes, an inevitable return to romance as both W. Davises are stuck in a podunk airport 25 years after last seeing each other.
In the film, Ryan and Duchovny play two halves of the same whole — literally. Both star-crossed characters are named W. Davis, which the script reminds audiences every ten minutes or so in metronome-like precision. The first W. Davis, William, who goes by Bill (Duchovny), is a former poet and songwriter-turned-stockbroker whose youthful artistic hopes are rekindled after running into his ex-girlfriend, Willa (Ryan). Their bickering turns to banter turns to, yes, an inevitable return to romance as both W. Davises are stuck in a podunk airport 25 years after last seeing each other.
- 11/2/2023
- by Samantha Bergeson
- Indiewire
In a conversation with fellow auteur Gregg Araki for Interview Magazine, Richard Linklater revealed that he hopes to shoot a movie in French, shot on location in Paris.
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
Araki said to the director, “I saw Ruby Rich last night. She did the Q&a for our ‘Nowhere’ screening at IFC Center. And she was saying that you’re shooting something in Paris?”
Linklater corrected that he isn’t shooting there yet, but confirmed his dream to do so: “Yeah, in French. It’s like a New Wave film.”
Linklater has thus far only made English-language films, but he has shot in France before. The second film in his “Before” romance trilogy, “Before Sunset,” starring Ethan Hawke and Julie Delpy, takes place in Paris. With the American Jesse falling in love with French Céline over the course of one day in Vienna in the first film “Before Sunrise,” their different nationalities...
- 10/10/2023
- by Jaden Thompson
- Variety Film + TV
This post contains spoilers for the Reservation Dogs series finale, which is now streaming on Hulu.
Two weeks ago, Reservation Dogs dropped an episode that could have easily functioned as a series finale. It featured callbacks galore, a full-circle moment where Bear invites Jackie’s crew to join the Rez Dogs, and a speech by Kenny Boy about Indigenous communities that seemed to function as a closing statement for the show itself.
But Sterlin Harjo had more to say, as he discussed with Rolling Stone in an interview about the...
Two weeks ago, Reservation Dogs dropped an episode that could have easily functioned as a series finale. It featured callbacks galore, a full-circle moment where Bear invites Jackie’s crew to join the Rez Dogs, and a speech by Kenny Boy about Indigenous communities that seemed to function as a closing statement for the show itself.
But Sterlin Harjo had more to say, as he discussed with Rolling Stone in an interview about the...
- 9/27/2023
- by Alan Sepinwall
- Rollingstone.com
Paul Mescal is giving Andrew Scott the chance of a lifetime: to speak with his deceased parents.
Mescal and Scott co-lead “All of Us Strangers,” written and directed by Andrew Haigh (“Weekend”).
One night in his near-empty tower block in contemporary London, screenwriter Adam (Scott) has a chance encounter with his mysterious neighbor Harry (Mescal) that punctures the rhythm of his everyday life. As Adam and Harry get closer, Adam is pulled back to his childhood home where it appears his long-dead parents (Claire Foy and Jamie Bell) are both living and look the same age as the day they died 30 years before.
“All of Us Strangers” is produced by Graham Broadbent, Pete Czernin, and Sarah Harvey and was previously known as “Strangers,” with the film being loosely based on Taichi Yamada’s 1987 novel of the same name.
The feature screened at Telluride and will make its New York premiere at NYFF.
Mescal and Scott co-lead “All of Us Strangers,” written and directed by Andrew Haigh (“Weekend”).
One night in his near-empty tower block in contemporary London, screenwriter Adam (Scott) has a chance encounter with his mysterious neighbor Harry (Mescal) that punctures the rhythm of his everyday life. As Adam and Harry get closer, Adam is pulled back to his childhood home where it appears his long-dead parents (Claire Foy and Jamie Bell) are both living and look the same age as the day they died 30 years before.
“All of Us Strangers” is produced by Graham Broadbent, Pete Czernin, and Sarah Harvey and was previously known as “Strangers,” with the film being loosely based on Taichi Yamada’s 1987 novel of the same name.
The feature screened at Telluride and will make its New York premiere at NYFF.
- 9/21/2023
- by Samantha Bergeson
- Indiewire
This article contains spoilers for Reservation Dogs season 3 episode 9.
In Reservation Dogs season 3, Elora Postoak (Devery Jacobs) receives some stunning news: she has a father.
Of course, Elora always understood she had a dad but just assumed he died like her mother did. No one disabused her of that notion until season 3 episode 1 when Teenie (Tamara Podemski) told Elora that not only is her dad alive … he’s a white guy. An episode 4 medical file confirms that his name is Rick Miller.
With this reveal, Reservation Dogs implicitly promised that Elora’s father would appear in one of the show’s six remaining episodes. And when he did turn up, he would likely be played by a familiar face. After all, the series has built up quite the fanbase among performers with comedic heavy hitters like Megan Mullally, Bill Burr, and Marc Maron popping by for guest appearances. Surely, one...
In Reservation Dogs season 3, Elora Postoak (Devery Jacobs) receives some stunning news: she has a father.
Of course, Elora always understood she had a dad but just assumed he died like her mother did. No one disabused her of that notion until season 3 episode 1 when Teenie (Tamara Podemski) told Elora that not only is her dad alive … he’s a white guy. An episode 4 medical file confirms that his name is Rick Miller.
With this reveal, Reservation Dogs implicitly promised that Elora’s father would appear in one of the show’s six remaining episodes. And when he did turn up, he would likely be played by a familiar face. After all, the series has built up quite the fanbase among performers with comedic heavy hitters like Megan Mullally, Bill Burr, and Marc Maron popping by for guest appearances. Surely, one...
- 9/20/2023
- by Alec Bojalad
- Den of Geek
Two of the most acclaimed American filmmakers, Francis Ford Coppola and Richard Linklater, are looking for distributors for their latest films, which premiered at the 80th Venice International Film Festival. Both films have received positive reviews from critics and audiences, but have not secured any deals yet.
Francis Ford Coppola’s film, Megalopolis, is an epic science fiction drama that follows an architect who wants to rebuild New York City as a utopia after a devastating disaster. The film features an ensemble cast, including Adam Driver, Forest Whitaker, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia Labeouf, Jason Schwartzman, Grace VanderWaal, Kathryn Hunter, Talia Shire, Dustin Hoffman, Giancarlo Esposito and D. B. Sweeney. Coppola wrote the screenplay in the 1980s and has been trying to make the film for decades. He finally managed to finance the film with his own money, investing over $100 million of his own fortune. Deadline...
Francis Ford Coppola’s film, Megalopolis, is an epic science fiction drama that follows an architect who wants to rebuild New York City as a utopia after a devastating disaster. The film features an ensemble cast, including Adam Driver, Forest Whitaker, Nathalie Emmanuel, Jon Voight, Laurence Fishburne, Aubrey Plaza, Shia Labeouf, Jason Schwartzman, Grace VanderWaal, Kathryn Hunter, Talia Shire, Dustin Hoffman, Giancarlo Esposito and D. B. Sweeney. Coppola wrote the screenplay in the 1980s and has been trying to make the film for decades. He finally managed to finance the film with his own money, investing over $100 million of his own fortune. Deadline...
- 9/15/2023
- by amalprasadappu
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
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