Indie News
Olivia Wilde (Don’t Worry Darling) has signed on to star in I Want Your Sex, a new thriller from director Gregg Araki (Mysterious Skin) and Black Bear.
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
Blithely exploring desire, domination and fantasy, the film asks the question, how far is too far? When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.
Written by Karley Sciortino & Araki, the film will be produced by Seth Caplan, as well as Black Bear’s Teddy Schwarzman and Michael Heimler. Exec producers include John Friedberg and Courtney L. Cunniff. Black Bear will also fully finance the picture...
- 5/9/2024
- by Matt Grobar
- Deadline Film + TV
Exclusive: In a pre-emptive deal, Neon has acquired rights to Osgood Perkins’ (Longlegs) next genre movie Keeper, which will star Tatiana Maslany (Orphan Black) and Rossif Sutherland (Possessor).
Neon will distribute in the U.S. and handle international sales rights to the film in Cannes, with Elevation Pictures set to distribute in Canada. Perkins directs from a screenplay written by Nick Lepard. Chris Ferguson and Jesse Savath of Oddfellows will produce.
Keeper follows a couple as they escape for a romantic anniversary weekend at a secluded cabin. When Malcolm (Sutherland) suddenly returns to the city, Liz (Maslany) finds herself isolated and in the presence of an unspeakable evil that unveils the cabin’s horrifying secrets.
Executive producers include Tatiana Maslany; Marlaina Mah for Oddfellows; Noah Segal and Laurie May for Elevation Pictures; Brian Kavanaugh Jones; Fred Berger and Peter Micelli on behalf of Range Media Partners; John Hegeman and Vince Totino...
Neon will distribute in the U.S. and handle international sales rights to the film in Cannes, with Elevation Pictures set to distribute in Canada. Perkins directs from a screenplay written by Nick Lepard. Chris Ferguson and Jesse Savath of Oddfellows will produce.
Keeper follows a couple as they escape for a romantic anniversary weekend at a secluded cabin. When Malcolm (Sutherland) suddenly returns to the city, Liz (Maslany) finds herself isolated and in the presence of an unspeakable evil that unveils the cabin’s horrifying secrets.
Executive producers include Tatiana Maslany; Marlaina Mah for Oddfellows; Noah Segal and Laurie May for Elevation Pictures; Brian Kavanaugh Jones; Fred Berger and Peter Micelli on behalf of Range Media Partners; John Hegeman and Vince Totino...
- 5/9/2024
- by Andreas Wiseman
- Deadline Film + TV
MTV Documentary Films has acquired U.S. rights to Shiori Ito’s “Black Box Diaries.”
The docu, about the investigation of the director’s own alleged sexual assault, debuted in the World Cinema Documentary Competition at the 2024 Sundance Film Festival and has been an audience favorite at this year’s Cph:dox, South by Southwest and Hot Docs film festivals.
MTV will theatrically release “Black Box Diaries” this fall, beginning in October at New York’s Film Forum. The film will be qualified for awards consideration before streaming on Paramount+ for subscribers with the Showtime plan later this year. Last year, the division released two Oscar nominated docs — Maite Alberdi’s feature length “The Eternal Memory” and Sheila Nevin’s short titled “The ABCs of Book Banning.”
Ito’s 103-minute film tracks her arduous, five-year struggle to bring to justice renowned TV reporter Noriyuki Yamaguchi for allegedly sexually assaulting her in...
The docu, about the investigation of the director’s own alleged sexual assault, debuted in the World Cinema Documentary Competition at the 2024 Sundance Film Festival and has been an audience favorite at this year’s Cph:dox, South by Southwest and Hot Docs film festivals.
MTV will theatrically release “Black Box Diaries” this fall, beginning in October at New York’s Film Forum. The film will be qualified for awards consideration before streaming on Paramount+ for subscribers with the Showtime plan later this year. Last year, the division released two Oscar nominated docs — Maite Alberdi’s feature length “The Eternal Memory” and Sheila Nevin’s short titled “The ABCs of Book Banning.”
Ito’s 103-minute film tracks her arduous, five-year struggle to bring to justice renowned TV reporter Noriyuki Yamaguchi for allegedly sexually assaulting her in...
- 5/9/2024
- by Addie Morfoot
- Variety - Film News
Three-time Emmy nominee Melanie Lynskey has been confirmed as starring in “Pike River,” the upcoming dramatic thriller set and shot in New Zealand and centered around one of the country’s worst disasters in modern history.
Signature Entertainment has unveiled a first look of Lynskey alongside co-star Robyn Malcolm, both of whom had been rumoured in the New Zealand press as the film’s lead cast. Lucy Lawless (“Xena: Warrior Princess”) also stars. Signature will launch international sales at the Cannes Film Market.
Directed by Robert Sarkies (“Out of the Blue”) from a script by Fiona Samuel (“Consent”), “Pike River” focuses on the true story of Anna Osborne and Sonya Rockhouse, two women whose friendship empowered them to fight for justice after the Pike River Mine tragedy in 2010, which took the lives of 29 men underground. The feature is produced by Vicky Pope and Timothy White (“I Am Mother”).
“Pike River...
Signature Entertainment has unveiled a first look of Lynskey alongside co-star Robyn Malcolm, both of whom had been rumoured in the New Zealand press as the film’s lead cast. Lucy Lawless (“Xena: Warrior Princess”) also stars. Signature will launch international sales at the Cannes Film Market.
Directed by Robert Sarkies (“Out of the Blue”) from a script by Fiona Samuel (“Consent”), “Pike River” focuses on the true story of Anna Osborne and Sonya Rockhouse, two women whose friendship empowered them to fight for justice after the Pike River Mine tragedy in 2010, which took the lives of 29 men underground. The feature is produced by Vicky Pope and Timothy White (“I Am Mother”).
“Pike River...
- 5/9/2024
- by Alex Ritman
- Variety Film + TV
Exclusive: Tom Berenger (Platoon), Milo Gibson (Hacksaw Ridge), Mark Dacascos (John Wick: Chapter 3), Henning Baum, Sol Rodriguez (Devious Maids), and Patrick Cage star in crime/action film, The Sheriff, directed by Josh Tessier. Currently in production in Los Angeles, California, the filmmakers are preparing for an AFM premiere.
Written by Tessier, and Michael Edwards, the film is set in a rural town and follows a local sheriff (Edwards), as he pursues a recent homicide case that is seemingly linked to the death of his son five years prior.
“We’re thrilled to have such great actors joining this project,” says Josh Tessier. “The bodies of work between them all speak for themselves, and we know the finished film is going to be a fun ride thanks to their participation.
The picture is being produced by Roberto Ahumada, Josh Tessier, Omid, Zader, and Justin Anderson for Whiskey Panda Studios alongside Scatena & Rosner Films...
Written by Tessier, and Michael Edwards, the film is set in a rural town and follows a local sheriff (Edwards), as he pursues a recent homicide case that is seemingly linked to the death of his son five years prior.
“We’re thrilled to have such great actors joining this project,” says Josh Tessier. “The bodies of work between them all speak for themselves, and we know the finished film is going to be a fun ride thanks to their participation.
The picture is being produced by Roberto Ahumada, Josh Tessier, Omid, Zader, and Justin Anderson for Whiskey Panda Studios alongside Scatena & Rosner Films...
- 5/9/2024
- by Valerie Complex
- Deadline Film + TV
‘Dare’ (2009): Emmy Rossum, Zach Gilford, and Ashley Springer Star in ‘Challengers’ for Theater Kids
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Discovering the Power of a Dick… Ahead of Its Time
Non-monogamy became a common topic of conversation this spring as Luca Guadagnino’s “Challengers” made any mention of pro tennis the conversational equivalent of a three-way sex invite.
On dating apps, searches for “open relationships” continued to rise in popularity just as reality television embraced multi-partnered dynamics through shows like Peacock’s “Couple to Throuple.” Even in 2024, polyamory isn’t outright “mainstream” by any stretch of the imagination(s). But as far as contemporary relationships are concerned, the “three’s...
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Discovering the Power of a Dick… Ahead of Its Time
Non-monogamy became a common topic of conversation this spring as Luca Guadagnino’s “Challengers” made any mention of pro tennis the conversational equivalent of a three-way sex invite.
On dating apps, searches for “open relationships” continued to rise in popularity just as reality television embraced multi-partnered dynamics through shows like Peacock’s “Couple to Throuple.” Even in 2024, polyamory isn’t outright “mainstream” by any stretch of the imagination(s). But as far as contemporary relationships are concerned, the “three’s...
- 5/11/2024
- by Alison Foreman and Wilson Chapman
- Indiewire
Nicholas Galitzine is quickly turning into one of Hollywood’s rising stars with steamy roles in last year’s British rom-com “Red, White, and Royal Blue” (now with a sequel on approach) and this year’s age-gap romance “The Idea of You.” However, in an interview with British GQ recently, Galitzine admitted that having the opportunity to take on quality roles is a relatively new phenomenon for him.
“I’ve had to cut my teeth on a lot of projects, which, I find the result of them, admittedly, maybe not great,” Galitzine said. “But for me, it was always, ‘Ok, this job won’t take me from point A to Z, but it is at least pushing me in the right direction?’”
Galitzine’s early roles include his performance as a moody violinist in the film “High Strung,” as well as playing Prince Robert in the critically panned jukebox musical...
“I’ve had to cut my teeth on a lot of projects, which, I find the result of them, admittedly, maybe not great,” Galitzine said. “But for me, it was always, ‘Ok, this job won’t take me from point A to Z, but it is at least pushing me in the right direction?’”
Galitzine’s early roles include his performance as a moody violinist in the film “High Strung,” as well as playing Prince Robert in the critically panned jukebox musical...
- 5/11/2024
- by Harrison Richlin
- Indiewire
“The Strangers” marketing campaign got a little too strange.
Around 11:30 p.m. Pt Tuesday night, TikTok shut down Lionsgate’s page after a promotional livestream for the studio’s upcoming horror-franchise prequel “The Strangers – Chapter 1” was found to have violated the social media platform’s terms of service.
The video was removed. In its place, a TikTok alert read: “We do not allow showing or promoting dangerous activities and challenges. This includes dares, games, tricks, inappropriate use of dangerous tools, eating substances that are harmful to one’s health, or similar activities that may lead to significant physical harm.”
A Lionsgate spokesperson did not respond to IndieWire’s request for comment on the stream being taken down.
The Lionsgate TikTok page has been restored. On it are five videos promoting the film, but no livestream.
“The Strangers – Chapter 1” livestream showed a masked person — the Scarecrow from the film — with...
Around 11:30 p.m. Pt Tuesday night, TikTok shut down Lionsgate’s page after a promotional livestream for the studio’s upcoming horror-franchise prequel “The Strangers – Chapter 1” was found to have violated the social media platform’s terms of service.
The video was removed. In its place, a TikTok alert read: “We do not allow showing or promoting dangerous activities and challenges. This includes dares, games, tricks, inappropriate use of dangerous tools, eating substances that are harmful to one’s health, or similar activities that may lead to significant physical harm.”
A Lionsgate spokesperson did not respond to IndieWire’s request for comment on the stream being taken down.
The Lionsgate TikTok page has been restored. On it are five videos promoting the film, but no livestream.
“The Strangers – Chapter 1” livestream showed a masked person — the Scarecrow from the film — with...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
“Kingdom of the Planet of the Apes” is a more typical summer movie season-starter than last week’s disappointing “The Fall Guy” (Universal). It’s a franchise film and it’s from Disney (which usually starts things off with a Marvel film).
It’s expected to open to over $50 million this weekend and become the first to gross over $100 million domestic. Industry sources suggest that over the summer, at least eight other releases (extending to early September) will reach this mark. A week ago, that guess would gave been 10.
The same sources pegged “The Fall Guy” as likely to gross over $125 million in the U.S./Canada. This weekend will clarify its fate, but the current trajectory suggests around $80 million. That’s a disappointment for theaters as well as Universal, which spent around $140 million to make the film before marketing.
“Apes” is one of several titles now projected in the $125-$150 million range.
It’s expected to open to over $50 million this weekend and become the first to gross over $100 million domestic. Industry sources suggest that over the summer, at least eight other releases (extending to early September) will reach this mark. A week ago, that guess would gave been 10.
The same sources pegged “The Fall Guy” as likely to gross over $125 million in the U.S./Canada. This weekend will clarify its fate, but the current trajectory suggests around $80 million. That’s a disappointment for theaters as well as Universal, which spent around $140 million to make the film before marketing.
“Apes” is one of several titles now projected in the $125-$150 million range.
- 5/10/2024
- by Tom Brueggemann
- Indiewire
Joel Edgerton is glad he’s not part of the MCU, especially when it came to his possible casting for Star Lord in “Guardians of the Galaxy.”
Appearing on The Playlist’s “Bingeworthy” podcast, Edgerton revealed that he “didn’t quite sort of understand the tone” of the comedy-action film that spurred a trilogy, despite auditioning for the lead role. Chris Pratt was later cast.
“Star-Lord’s a good one, actually, because I, unlike Chris [Pratt], didn’t quite sort of understand the tone of it the way he did and the way that those guys did,” Edgerton said. “And I wasn’t really sure how I could be a part of that tone. And I truly think that the world is a much better place that I’m not Star-Lord, even if I had the opportunity or I did a good enough audition because it is the way it’s meant to be.
Appearing on The Playlist’s “Bingeworthy” podcast, Edgerton revealed that he “didn’t quite sort of understand the tone” of the comedy-action film that spurred a trilogy, despite auditioning for the lead role. Chris Pratt was later cast.
“Star-Lord’s a good one, actually, because I, unlike Chris [Pratt], didn’t quite sort of understand the tone of it the way he did and the way that those guys did,” Edgerton said. “And I wasn’t really sure how I could be a part of that tone. And I truly think that the world is a much better place that I’m not Star-Lord, even if I had the opportunity or I did a good enough audition because it is the way it’s meant to be.
- 5/10/2024
- by Samantha Bergeson
- Indiewire
Memory, the L.A.-based production and now distribution company featured in Filmmaker‘s 2016 25 New Faces list announced today the release plans for New Strains, a microbudget, camcorder-shot pandemic comedy from a pair of filmmakers, Artemis Shaw and Prashanth Kamalakanthan, also featured on our list. The film will screen at the Roxy Cinema in New York (June 13), Nitehawk Cinema Williamsburg (June 15 & 16), and Los Angeles’ Now Instant Image Hall (June 21 & 22), with a North American digital release to follow on Friday, July 19. In New Strains, a pandemic — not necessarily Covid-19 — strands a couple, Kallia […]
The post Memory Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains first appeared on Filmmaker Magazine.
The post Memory Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains first appeared on Filmmaker Magazine.
- 5/10/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Memory, the L.A.-based production and now distribution company featured in Filmmaker‘s 2016 25 New Faces list announced today the release plans for New Strains, a microbudget, camcorder-shot pandemic comedy from a pair of filmmakers, Artemis Shaw and Prashanth Kamalakanthan, also featured on our list. The film will screen at the Roxy Cinema in New York (June 13), Nitehawk Cinema Williamsburg (June 15 & 16), and Los Angeles’ Now Instant Image Hall (June 21 & 22), with a North American digital release to follow on Friday, July 19. In New Strains, a pandemic — not necessarily Covid-19 — strands a couple, Kallia […]
The post Memory Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains first appeared on Filmmaker Magazine.
The post Memory Announces Summer Theatrical and Digital Release Dates for Microbudget Pandemic Comedy New Strains first appeared on Filmmaker Magazine.
- 5/10/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
Ewan McGregor and Ellen Burstyn are a toxic son-mother duo just in time for Mother’s Day.
The aptly titled indie film “Mother, Couch” marks first time filmmaker Niclas Larsson’s directorial debut. Larsson penned the script based on Jerker Virdborg’s novel “Mamma I Soffa” that centers on a dysfunctional family trying to convince their mother (Burstyn) to leave a department store.
A trio of estranged children — David (McGregor), Gruffudd (Rhys Ifans), and Linda (Lara Flynn Boyle) — must figure out how to escape the eerie store that is owned by identical twins Marco and Marcus (F. Murray Abraham) and daughter Bella (Taylor Russell). The film becomes a descent into madness and mayhem as the store melts into a surreal purgatory where the two families must purge their long-withheld resentments.
“Mother, Couch” is produced by Ella Bishop and Pau Suris for Suris/Bishop Films, Alex Black for Lyrical Media, and Sara Murphy for Fat City.
The aptly titled indie film “Mother, Couch” marks first time filmmaker Niclas Larsson’s directorial debut. Larsson penned the script based on Jerker Virdborg’s novel “Mamma I Soffa” that centers on a dysfunctional family trying to convince their mother (Burstyn) to leave a department store.
A trio of estranged children — David (McGregor), Gruffudd (Rhys Ifans), and Linda (Lara Flynn Boyle) — must figure out how to escape the eerie store that is owned by identical twins Marco and Marcus (F. Murray Abraham) and daughter Bella (Taylor Russell). The film becomes a descent into madness and mayhem as the store melts into a surreal purgatory where the two families must purge their long-withheld resentments.
“Mother, Couch” is produced by Ella Bishop and Pau Suris for Suris/Bishop Films, Alex Black for Lyrical Media, and Sara Murphy for Fat City.
- 5/10/2024
- by Samantha Bergeson
- Indiewire
[Editor’s note: Massive spoilers for “Kingdom of the Planet of the Apes” below.]
Apes rule in “Kingdom of the Planet of the Apes,” kicking off director Wes Ball’s post-Caesar saga 300 years later. Wētā FX leveraged its tech from the previous “Apes” trilogy and the Oscar-winning “Avatar: The Way of Water” for greater photorealism in their performance capture animation and VFX. This is important because the apes are chattier, and there are more CG action set pieces (33 minutes are entirely digital — a franchise first). It adds up to possibly earning the franchise the VFX Oscar that it’s been denied.
After achieving great on-set facial capture in the rain and snow for director Matt Reeves’ “Dawn” and “War” films, Wētā embraced more expansive environments for “Kingdom” along with more active and expressive apes. In the film, simians have begun developing their own civilization in villages spread throughout the overgrown Pacific Northwest, with decrepit skyscrapers in the distance.
Apes rule in “Kingdom of the Planet of the Apes,” kicking off director Wes Ball’s post-Caesar saga 300 years later. Wētā FX leveraged its tech from the previous “Apes” trilogy and the Oscar-winning “Avatar: The Way of Water” for greater photorealism in their performance capture animation and VFX. This is important because the apes are chattier, and there are more CG action set pieces (33 minutes are entirely digital — a franchise first). It adds up to possibly earning the franchise the VFX Oscar that it’s been denied.
After achieving great on-set facial capture in the rain and snow for director Matt Reeves’ “Dawn” and “War” films, Wētā embraced more expansive environments for “Kingdom” along with more active and expressive apes. In the film, simians have begun developing their own civilization in villages spread throughout the overgrown Pacific Northwest, with decrepit skyscrapers in the distance.
- 5/10/2024
- by Bill Desowitz
- Indiewire
“X-Men” is back in the cultural zeitgeist thanks to Marvel Animation’s hit animated series “X-Men ’97,” and while it’s a different beast, it is paving the way for some of the first significant mutants to join the MCU this summer in “Deadpool & Wolverine.” We already know that star/producer Ryan Reynolds offered filmmaker Shawn Levy the “Deadpool 3” gig during the filming of “The Adam Project” (they also worked together on “Free Guy”).
Continue reading Shawn Levy Admits He Turned Down ‘The Wolverine’ When Hugh Jackman Asked Him During ‘Real Steel’ at The Playlist.
Continue reading Shawn Levy Admits He Turned Down ‘The Wolverine’ When Hugh Jackman Asked Him During ‘Real Steel’ at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
‘I Saw the TV Glow’ Director Jane Schoenbrun Shares a Theory for Why We’re So Nostalgic for the ’90s
There’s a moment late in “I Saw the TV Glow” when Owen (Justice Smith), now an adult, watches an episode of “The Pink Opaque,” the ’90s TV series that obsessed him in high school. The supernatural teen genre series now looks and feels completely different to him: Gone is the supernatural mystery, the seductive production values, that magical glow of a vicarious world.
In the cinematic world of Jane Schoenbrun’s film, Owen and Maddy (Brigette Lundy-Paine) are cosmically linked to “The Pink Opaque” lead characters Tara (Lindsey Jordan) and Isabel (Helena Howard), so it’s possible the series has actually altered, but this scene of Owen re-watching it as an adult also speaks to something Schoenbrun experienced.
“There was always this idea of the way that a field that you played in as a kid looked and felt giant, but when you go back, it’s just this...
In the cinematic world of Jane Schoenbrun’s film, Owen and Maddy (Brigette Lundy-Paine) are cosmically linked to “The Pink Opaque” lead characters Tara (Lindsey Jordan) and Isabel (Helena Howard), so it’s possible the series has actually altered, but this scene of Owen re-watching it as an adult also speaks to something Schoenbrun experienced.
“There was always this idea of the way that a field that you played in as a kid looked and felt giant, but when you go back, it’s just this...
- 5/10/2024
- by Chris O'Falt
- Indiewire
Jeff Bridges is turning to the world of practical puppeteering for an upcoming monster film from the Jim Henson Company called “Grendel.”
Bridges will executive produce and be the lead of the latest feature from The Jim Henson Company, the company announced Friday, May 10. “Grendel” will follow the legendary monster at the heart of the epic poem Beowulf, and it will allow the monster to tell his side of the story.
In addition to Bridges as Grendel, the ensemble cast includes Dave Bautista as Beowulf, Bryan Cranston as King Hrothgar, Sam Elliott as The Dragon, Thomasin McKenzie as Queen Wealhtheow, and Aidan Turner as Unferth.
Composer, producer, and songwriter T Bone Burnett will also star in a rare acting role as The Shaper, and he’ll also provide original songs for the film.
Robert D. Krzykowski is set to direct from a screenplay he adapted from John Gardner’s critically...
Bridges will executive produce and be the lead of the latest feature from The Jim Henson Company, the company announced Friday, May 10. “Grendel” will follow the legendary monster at the heart of the epic poem Beowulf, and it will allow the monster to tell his side of the story.
In addition to Bridges as Grendel, the ensemble cast includes Dave Bautista as Beowulf, Bryan Cranston as King Hrothgar, Sam Elliott as The Dragon, Thomasin McKenzie as Queen Wealhtheow, and Aidan Turner as Unferth.
Composer, producer, and songwriter T Bone Burnett will also star in a rare acting role as The Shaper, and he’ll also provide original songs for the film.
Robert D. Krzykowski is set to direct from a screenplay he adapted from John Gardner’s critically...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
Netflix may get most of the attention, but it’s hardly a one-stop shop for cinephiles looking to stream essential classic and contemporary films. Each of the prominent streaming platforms caters to its own niche of film obsessives.
From the boundless wonders of the Criterion Channel to the new frontiers of streaming offered by the likes of Ovid and Paramount Plus, IndieWire’s monthly guide highlights the best of what’s coming to every major streamer, with an eye toward exclusive titles that may help readers decide which of these services is right for them.
Here is your guide for May 2024.
From the boundless wonders of the Criterion Channel to the new frontiers of streaming offered by the likes of Ovid and Paramount Plus, IndieWire’s monthly guide highlights the best of what’s coming to every major streamer, with an eye toward exclusive titles that may help readers decide which of these services is right for them.
Here is your guide for May 2024.
- 5/10/2024
- by David Ehrlich
- Indiewire
It was reported last month that Kathryn Bigelow had dropped out of directing an adaptation of the apocalyptic David Koepp novel “Aurora” for Netflix as new film chief Dan Lin was starting his role. But one of Lin’s first green lights will reportedly be a different Bigelow film with a similarly apocalyptic bent.
According to a report in Puck, “The Hurt Locker” director Bigelow has been tapped to direct a thriller about the White House’s real-time response efforts to an incoming ballistic missile attack on American soil. The script for the film is written by Noah Oppenheim, and the project is expected to be formally announced when Netflix hosts its Upfronts presentation to advertisers next week.
Puck also reported that despite the green light, Bigelow was “visibly annoyed” in regards to notes from Lin asking for the film to cut its budget and length. The report adds that...
According to a report in Puck, “The Hurt Locker” director Bigelow has been tapped to direct a thriller about the White House’s real-time response efforts to an incoming ballistic missile attack on American soil. The script for the film is written by Noah Oppenheim, and the project is expected to be formally announced when Netflix hosts its Upfronts presentation to advertisers next week.
Puck also reported that despite the green light, Bigelow was “visibly annoyed” in regards to notes from Lin asking for the film to cut its budget and length. The report adds that...
- 5/10/2024
- by Brian Welk
- Indiewire
Director Jeff Nichols’ (“Midnight Special”) period biker gang movie “The Bikeriders” is finally making its theatrical debut next month. The New Regency drama faced a little drama last year when Disney’s 20th Century Studios dropped the movie, and Focus Features/Universal Pictures came to the rescue, picking it up for North American release. A new U.K. trailer for the upcoming film has arrived from Universal, giving us another glimpse of what to expect from the latest crime drama loosely based on some true events with some brief new footage.
Continue reading ‘The Bikeriders’ Trailer: New U.K. Teaser Shows Off More Of Jeff Nichols’ Biker Crime Drama Coming In June at The Playlist.
Continue reading ‘The Bikeriders’ Trailer: New U.K. Teaser Shows Off More Of Jeff Nichols’ Biker Crime Drama Coming In June at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
‘Peacemaker’: Frank Grillo To Reprise His Animated ‘Creature Commandos’ Role In Live-Action Season 2
James Gunn’s series “Peacemaker,” starring John Cena, will be one of the rare DC properties that will carry over into the newly rebooted and reset DC Universe. While Gunn’s new DC Studios basically scrapped much of the past Dceu a new casting announcement for the second “Peacemaker” season is highlighting some of the connective tissue he intends to bring to the new DC.
Continue reading ‘Peacemaker’: Frank Grillo To Reprise His Animated ‘Creature Commandos’ Role In Live-Action Season 2 at The Playlist.
Continue reading ‘Peacemaker’: Frank Grillo To Reprise His Animated ‘Creature Commandos’ Role In Live-Action Season 2 at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
Orlando Bloom is willing his memory of starring in “Troy” to wilt.
Bloom, who portrayed Paris, the Prince of Troy, whose affair with Queen Helen (Diane Kruger) ignited the Trojan War, revealed that he “didn’t want to do the movie” at all, despite the 2004 historical feature being a box office success.
During a career retrospective interview with Variety, Bloom admitted he “blanked out” the film from his own career and mind.
“Oh my god, ‘Troy.’ Wow. I think I just blanked that movie out of my brain by the way,” Bloom said. “So many people love that movie, but for me playing that character was just like [slits throat]. Am I allowed to say all of these things? I didn’t want to do the movie. I didn’t want to play this character.”
“Troy” was directed by the late “Das Boot” filmmaker Wolfgang Petersen and co-starred Brad Pitt, Eric Bana,...
Bloom, who portrayed Paris, the Prince of Troy, whose affair with Queen Helen (Diane Kruger) ignited the Trojan War, revealed that he “didn’t want to do the movie” at all, despite the 2004 historical feature being a box office success.
During a career retrospective interview with Variety, Bloom admitted he “blanked out” the film from his own career and mind.
“Oh my god, ‘Troy.’ Wow. I think I just blanked that movie out of my brain by the way,” Bloom said. “So many people love that movie, but for me playing that character was just like [slits throat]. Am I allowed to say all of these things? I didn’t want to do the movie. I didn’t want to play this character.”
“Troy” was directed by the late “Das Boot” filmmaker Wolfgang Petersen and co-starred Brad Pitt, Eric Bana,...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
If “The Bear” became FX’s biggest hit for 2022 and 2023, then 2024 has undoubtedly been owned thus far, but the TV network’s hit series “Shōgun” (read our review). Created by Rachel Kondo and Justin Marks, “Shōgun” has exploded as FX’s biggest streaming hit on Hulu/Disney+ and is heading toward becoming a serious Emmy contender—actress Anna Sawai’s performance is already expected to end up landing an acting nomination, and there could be much more.
Continue reading ‘Shōgun’: Hiroyuki Sanada Signs On For Season 2 Return Of FX’s Massive Hit Samurai Series at The Playlist.
Continue reading ‘Shōgun’: Hiroyuki Sanada Signs On For Season 2 Return Of FX’s Massive Hit Samurai Series at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
The Cannes Film Festival is quickly approaching and begins on Tuesday, May 15, next week. With that comes lots of first-look images, new trailers, new clips, and more promotional aspects of some of the most highly anticipated films of the year (see our Cannes 2024 preview here). Three clips from David Cronenberg’s “The Shrouds” recently appeared on the Cannes Film Festival website, and more promotional elements are also surfacing.
Continue reading Cannes Trailer & Clips: ‘Marcello Mio,’ Nicolas Cage’s ‘The Surfer,’ & Miguel Gomes’ ‘Grand Tour’ at The Playlist.
Continue reading Cannes Trailer & Clips: ‘Marcello Mio,’ Nicolas Cage’s ‘The Surfer,’ & Miguel Gomes’ ‘Grand Tour’ at The Playlist.
- 5/10/2024
- by Edward Davis
- The Playlist
What to expect from Cannes 2024? The global selection offers critics plenty to write about — after all, this is the festival d’auteurs. But this year’s edition may be light on the red carpet glitz that lures celebrities to the Côte d’Azur for eye-popping photo memes and offshore yacht revels. Remember Madonna’s 1991 pointy Gaultier bustier? Elizabeth Taylor holding her white dog as “Cliffhanger” star Sylvester Stallone climbed the steps to meet her at the top? Such viral moments are what Cannes director Thierry Fremaux dreams of.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
High-octane stars expected to hit the Palais photo gauntlet include two-time Oscar-winner Emma Stone, who stars in all three stories in competition title “Kinds of Kindness” (Searchlight), Yorgos Lanthimos’ edgy follow-up to $100-million grosser “Poor Things.” Anya Taylor-Joy and Chris Hemsworth will add some sizzle for out-of-competition prequel “Furiosa: A Mad Max Saga” (Warner Bros.), George Miller’s rollercoaster return after 2015’s Oscar-winning “Mad Max: Fury Road.
- 5/10/2024
- by Anne Thompson
- Indiewire
“There’s one important thing to know about ‘Smiling Friends,’” the show’s co-creator Zach Hadel said during a recent Zoom interview with IndieWire. “It’s not smart.”
It was a reoccurring sentiment. Over the course of our conversation, Hadel and co-creator Michael Cusack repeatedly called their show “dumb,” “stupid,” “not smart,” and, in one colorful tangent, suggested that society would be better off if they were barred from producing television and sent to work in underground mines. But their humility masks a deep commitment to silliness that might be the secret to making “Smiling Friends” feel so damn refreshing.
The animated series, which follows an eclectic group of nonprofit employees who are tasked with making sad people smile (and are legally obligated to do anything a sad customer asks until they smile), was a massive hit in alternative comedy circles when it premiered on Adult Swim in 2022. The show...
It was a reoccurring sentiment. Over the course of our conversation, Hadel and co-creator Michael Cusack repeatedly called their show “dumb,” “stupid,” “not smart,” and, in one colorful tangent, suggested that society would be better off if they were barred from producing television and sent to work in underground mines. But their humility masks a deep commitment to silliness that might be the secret to making “Smiling Friends” feel so damn refreshing.
The animated series, which follows an eclectic group of nonprofit employees who are tasked with making sad people smile (and are legally obligated to do anything a sad customer asks until they smile), was a massive hit in alternative comedy circles when it premiered on Adult Swim in 2022. The show...
- 5/10/2024
- by Christian Zilko
- Indiewire
Slamdance announced last week that the Slamdance Film Festival will move from Park City, Utah, where it’s been since its founding in 1995, to Los Angeles beginning with next year’s edition. The dates will shift slightly to February 20-26, and the move will afford the festival bigger and more professional screening facilities, including at Landmark Theatres and the DGA Theater complex. As Slamdance co-founder and President Peter Baxter notes in our interview below, Slamdance has long had a Los Angeles presence, through both its year-round office but also through its summer Agbo+Slamdance Summer Showcase. About the move, filmmakers and Agbo […]
The post “When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A. first appeared on Filmmaker Magazine.
The post “When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A. first appeared on Filmmaker Magazine.
- 5/10/2024
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Slamdance announced last week that the Slamdance Film Festival will move from Park City, Utah, where it’s been since its founding in 1995, to Los Angeles beginning with next year’s edition. The dates will shift slightly to February 20-26, and the move will afford the festival bigger and more professional screening facilities, including at Landmark Theatres and the DGA Theater complex. As Slamdance co-founder and President Peter Baxter notes in our interview below, Slamdance has long had a Los Angeles presence, through both its year-round office but also through its summer Agbo+Slamdance Summer Showcase. About the move, filmmakers and Agbo […]
The post “When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A. first appeared on Filmmaker Magazine.
The post “When We First Started It Was a Variation of the Salon des Refusés…”: Slamdance President Peter Baxter on Accessibility, Community and Moving to L.A. first appeared on Filmmaker Magazine.
- 5/10/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
With many starring roles, including the “Star Trek” and “Wonder Woman” franchises, Chris Pine is obviously leading man material. But the actor recently went behind the camera for his directorial debut, “Poolman,” a comedy-mystery that he co-wrote and stars in alongside Annette Bening, DeWanda Wise, Ariana DeBose, Jennifer Jason Leigh, Danny DeVito, and more.
Premiering at the Toronto International Film Festival last year, it’s a film that Pine is exceptionally proud of, but it was savaged with negative reviews at the time (it currently sits at 19% on Rotten Tomatoes).
Continue reading Chris Pine Talks Negative Reviews Of ‘Poolman’ & Says He Knows Nothing About ‘Star Trek’ That Isn’t Public at The Playlist.
Premiering at the Toronto International Film Festival last year, it’s a film that Pine is exceptionally proud of, but it was savaged with negative reviews at the time (it currently sits at 19% on Rotten Tomatoes).
Continue reading Chris Pine Talks Negative Reviews Of ‘Poolman’ & Says He Knows Nothing About ‘Star Trek’ That Isn’t Public at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
With his debut feature, “The Last Stop in Yuma County,” hitting theaters this week, Francis Galluppi is riding high. The Western-tinged neo-noir stars Jim Cummings as a nameless traveling knife salesman who finds himself in a unique position after witnessing a diner robbery while carrying a case of his sharp wares. The film charmed audiences on the genre festival circuit last fall and established Galluppi as a director worth watching. But as he nears the end of a five-year journey, the director hasn’t lost sight of how difficult it was to get his first project off the ground.
“I had two children in the time it took me to make this movie,” Galluppi said during a recent Zoom conversation with IndieWire. “My daughter’s first words were ‘The Last Stop in Yuma County.'”
Originally a musician by trade, Galluppi says that he originally felt compelled to pursue filmmaking...
“I had two children in the time it took me to make this movie,” Galluppi said during a recent Zoom conversation with IndieWire. “My daughter’s first words were ‘The Last Stop in Yuma County.'”
Originally a musician by trade, Galluppi says that he originally felt compelled to pursue filmmaking...
- 5/10/2024
- by Christian Zilko
- Indiewire
Chris Pine is done wading through the bad reviews for his directorial debut “Poolman.” Pine co-wrote, directed, and starred in the comedy noir film that debuted at TIFF 2023. In Pine’s words, the feature was “fucking panned” by critics there, which led to a “real come-to-Jesus moment” for the actor.
“I watched my film. After the reviews in Toronto I was like maybe I did make a pile of shit,” Pine said during the “Happy Sad Confused” podcast (which you can watch below). “I went back and watched it. I fucking love this film. I love this film so much.”
Pine pointed to how the criticisms of his feature directly contradicted the “joyful” quality of the film itself. “When the film came out at Toronto and just got fucking panned … I tried to make a joyful film,” Pine continued. “With so much joy behind it, to then be met with...
“I watched my film. After the reviews in Toronto I was like maybe I did make a pile of shit,” Pine said during the “Happy Sad Confused” podcast (which you can watch below). “I went back and watched it. I fucking love this film. I love this film so much.”
Pine pointed to how the criticisms of his feature directly contradicted the “joyful” quality of the film itself. “When the film came out at Toronto and just got fucking panned … I tried to make a joyful film,” Pine continued. “With so much joy behind it, to then be met with...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
Comedian turned filmmaker Jerry Seinfeld has been courting controversy of late with some of his seemingly glib opinions and comments in the run-up to the promotion of his Netflix Pop-Tarts movie, “Unfrosted” (read our review). Seinfeld already rattled some with some seemingly flippant comments, proclaiming “the movie business being over” and how the “extreme left” was ruining the state of TV and comedy. A major element of his new movie “Unfrosted”—about creating the Pop-Tart and the cereal brand company war and race to get to market first—was an avalanche of famous comedian cameos populating the streaming comedy.
Continue reading ‘Unfrosted’: Jerry Seinfeld Says Chris Rock Turned Down Oscar Slap Parody In His Pop-Tarts Movie at The Playlist.
Continue reading ‘Unfrosted’: Jerry Seinfeld Says Chris Rock Turned Down Oscar Slap Parody In His Pop-Tarts Movie at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
Though the centennial Oscars is not until 2028, the Academy of Motion Picture Arts and Sciences is already planning for its next 100 years.
On Friday, May 10 during an in-person press conference hosted by Cinecittà in Rome, Italy, the organization launched Academy100, described as a $500 million global revenue diversification and outreach campaign designed to expand the Academy’s worldwide scope, ensure its success for decades to come, and connect audiences through their shared love of cinema.
Funded in part by Rolex, the Academy100 campaign plans to endow and fund programs that recognize excellence in cinematic artistry and innovation, preserve film history, enable the creation of world-class film exhibitions, screenings, and publications, train and educate the next generation of diverse global film artists, and produce powerful digital content.
“The future of the Academy is global, and Academy100 will deepen our worldwide reach and impact,” said Academy CEO Bill Kramer via statement. “The Academy...
On Friday, May 10 during an in-person press conference hosted by Cinecittà in Rome, Italy, the organization launched Academy100, described as a $500 million global revenue diversification and outreach campaign designed to expand the Academy’s worldwide scope, ensure its success for decades to come, and connect audiences through their shared love of cinema.
Funded in part by Rolex, the Academy100 campaign plans to endow and fund programs that recognize excellence in cinematic artistry and innovation, preserve film history, enable the creation of world-class film exhibitions, screenings, and publications, train and educate the next generation of diverse global film artists, and produce powerful digital content.
“The future of the Academy is global, and Academy100 will deepen our worldwide reach and impact,” said Academy CEO Bill Kramer via statement. “The Academy...
- 5/10/2024
- by Marcus Jones
- Indiewire
IFC Films released a new trailer for the new revenge horror film “In A Violent Nature” that the studio will release exclusively in theaters on May 31. The terrifying movie— reported to have made some audience members violently ill and vomit recently— focuses on a resurrected corpse named Johnny that brutally kills, trying to get back his locket after it’s removed from his tomb in the woods. It’s a concept that efficiently works in favor of lower-budget projects.
Continue reading ‘In A Violent Nature’ Trailer: Unsettling Horror Revenge Pic Hits May 31 at The Playlist.
Continue reading ‘In A Violent Nature’ Trailer: Unsettling Horror Revenge Pic Hits May 31 at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
Many audiences were first introduced to British actor Orlando Bloom thanks to Peter Jackson’s “The Lord of The Rings” trilogy playing the charismatic and cocky Elf archer, Legolas. One of Bloom’s first major follow-up roles was in the Greek epic “Troy,” directed by Wolfgang Petersen and starring Brad Pitt. However, Bloom says he wasn’t all that thrilled about the less-than-heroic character in the movie, which focuses on the epic war between the armies of Greece.
Continue reading ‘Troy’: Orlando Bloom Says His Agent Talked Him Into Role: “I Didn’t Want To Play This Character” at The Playlist.
Continue reading ‘Troy’: Orlando Bloom Says His Agent Talked Him Into Role: “I Didn’t Want To Play This Character” at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
Keep calm and carry on: “Red, White, and Royal Blue” is getting a sequel.
The beloved queer romance novel adaptation is now expanding beyond the book, with Nicholas Galitzine and Taylor Zakhar Perez confirmed to be reprising their respective roles as Prince Henry and Alex Claremont-Diaz in the Amazon MGM Studios film.
Author Casey McQuiston will co-write the script for the sequel with returning screenwriter Matthew López. And if there is going to be a new book to turn “Red, White, and Royal Blue” into a franchise series, it hasn’t been announced yet. Tony Award-winning playwright López also directed the first feature; it has not been announced yet if he will helm the follow-up.
The “Red, White, and Royal Blue 2” news was announced ahead of Amazon’s inaugural upfront presentation May 14.
Berlanti Schechter Films’ Greg Berlanti and Sarah Schechter will return to produce the sequel film, joined by the banner’s Michael McGrath,...
The beloved queer romance novel adaptation is now expanding beyond the book, with Nicholas Galitzine and Taylor Zakhar Perez confirmed to be reprising their respective roles as Prince Henry and Alex Claremont-Diaz in the Amazon MGM Studios film.
Author Casey McQuiston will co-write the script for the sequel with returning screenwriter Matthew López. And if there is going to be a new book to turn “Red, White, and Royal Blue” into a franchise series, it hasn’t been announced yet. Tony Award-winning playwright López also directed the first feature; it has not been announced yet if he will helm the follow-up.
The “Red, White, and Royal Blue 2” news was announced ahead of Amazon’s inaugural upfront presentation May 14.
Berlanti Schechter Films’ Greg Berlanti and Sarah Schechter will return to produce the sequel film, joined by the banner’s Michael McGrath,...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
Despite not having made a film of his own since 2013 (the under-appreciated “Go for Sisters”), John Sayles is having quite the year. In January, his 1996 neo-Western mystery film “Lone Star” entered the Criterion Collection with a 4K Uhd edition that features interviews with director of photography Stuart Dryburgh, as well as an interview with Sayles himself conducted by “El Norte” director Gregory Nava.
Then in April, his largely unavailable 1991 inner-city saga “City of Hope” received the Blu-ray release many fans had been pining for since a restoration was screened at Sundance in 2016 for the 25th anniversary. Adding to this newfound availability of quality copies of his work, a large number of Sayles’ films are currently streaming for free on apps like Tubi, Kanopy, and Pluto TV, as well as cost-based apps like AMC+, Starz, and Prime Video.
At no other point in his career has his library of work been...
Then in April, his largely unavailable 1991 inner-city saga “City of Hope” received the Blu-ray release many fans had been pining for since a restoration was screened at Sundance in 2016 for the 25th anniversary. Adding to this newfound availability of quality copies of his work, a large number of Sayles’ films are currently streaming for free on apps like Tubi, Kanopy, and Pluto TV, as well as cost-based apps like AMC+, Starz, and Prime Video.
At no other point in his career has his library of work been...
- 5/10/2024
- by Harrison Richlin
- Indiewire
The arid landscape of the fictional Australian town Kiewarra lends the 2020 mystery thriller “The Dry” its name and identity. It’s the type of place filled with interpersonal tension, which frequently reflects onto a barren, sun-scorched environment itching to go up in flames.
When federal agent Aaron Falk (Eric Bana) returns to his hometown to look into the double murder-suicide supposedly perpetrated by his childhood best friend, he’s thrust back into the town’s powder-keg energy. Everyone looks at him with suspicion because they suspect he was responsible for the drowning of his high school girlfriend twenty years prior, with their resentment exacerbated by his off-the-books investigation. Adapted from Jane Harper’s procedural mystery novel by the same name, “The Dry” marinates in buried backcountry secrets and childhood trauma, both of which unfortunately never transcend their generic function or presentation on screen.
Four years later, the awkwardly titled sequel...
When federal agent Aaron Falk (Eric Bana) returns to his hometown to look into the double murder-suicide supposedly perpetrated by his childhood best friend, he’s thrust back into the town’s powder-keg energy. Everyone looks at him with suspicion because they suspect he was responsible for the drowning of his high school girlfriend twenty years prior, with their resentment exacerbated by his off-the-books investigation. Adapted from Jane Harper’s procedural mystery novel by the same name, “The Dry” marinates in buried backcountry secrets and childhood trauma, both of which unfortunately never transcend their generic function or presentation on screen.
Four years later, the awkwardly titled sequel...
- 5/10/2024
- by Vikram Murthi
- Indiewire
It all started when Rob Reiner tried to convince Albert Brooks to let him film his own version of “My Dinner with Andre” titled “My Lunch with Albert Brooks.” His high school chum refused. After someone else came to Brooks wanting to make a documentary about him, the financing fell through. Then the men decided to combine the two things.
“There’s about 4000 documentaries now,” said Brooks at an FYC event with Reiner and moderator Judd Apatow this week at the Academy of Motion Pictures. “It’s the way they’re willing to spend money without spending real money. Everyone has a story and 99 out of 100 are done pretty much the same way. Either the person’s no longer living, or they’re being talked about from an off-stage voice. So to be able to do that this way…that’s what makes it special. Because it’s Rob and...
“There’s about 4000 documentaries now,” said Brooks at an FYC event with Reiner and moderator Judd Apatow this week at the Academy of Motion Pictures. “It’s the way they’re willing to spend money without spending real money. Everyone has a story and 99 out of 100 are done pretty much the same way. Either the person’s no longer living, or they’re being talked about from an off-stage voice. So to be able to do that this way…that’s what makes it special. Because it’s Rob and...
- 5/10/2024
- by Anne Thompson
- Indiewire
Sebastian Stan and Lily James might be the Adam Sandler and Drew Barrymore of troubled tales.
Stan and James, who starred together in the titular roles on the Emmy-winning FX (on Hulu) series “Pam & Tommy,” will reunite for psychological horror thriller “Let the Evil Go West.” Christian Tafdrup (“Speak No Evil”) is set to direct, with a script by Xc Vs.
“Let the Evil Go West” follows a railroad worker (Stan) who stumbles upon a fortune under deeply disturbing circumstances. As horrifying visions and manifestations drive him toward madness, his wife (James) becomes convinced that an evil presence has attached itself to their family.
Tafdrup is known for directing the Danish psychological thriller “Speak No Evil,” which premiered at Sundance and landed a U.S. remake. James McAvoy leads the English-language remake; Tafdrup is executive producing.
“Let the Evil Go West” is produced by brothers Tim and Trevor White...
Stan and James, who starred together in the titular roles on the Emmy-winning FX (on Hulu) series “Pam & Tommy,” will reunite for psychological horror thriller “Let the Evil Go West.” Christian Tafdrup (“Speak No Evil”) is set to direct, with a script by Xc Vs.
“Let the Evil Go West” follows a railroad worker (Stan) who stumbles upon a fortune under deeply disturbing circumstances. As horrifying visions and manifestations drive him toward madness, his wife (James) becomes convinced that an evil presence has attached itself to their family.
Tafdrup is known for directing the Danish psychological thriller “Speak No Evil,” which premiered at Sundance and landed a U.S. remake. James McAvoy leads the English-language remake; Tafdrup is executive producing.
“Let the Evil Go West” is produced by brothers Tim and Trevor White...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim Cummings) at the adjoining roadside diner. Written around the standing sets available at Four Aces Movie Ranch in Palmdale, California, the feature debut from director Francis Galluppi was partially funded by the sale of producer James Claeys’ house. That provided enough budget for a 20-day shooting schedule, a cast of familiar genre faces, a few epic needle drops and one talented […]
The post “Dolly and Slider Inside, Steadicam Outside”: Dp Mac Fisken on The Last Stop in Yuma County first appeared on Filmmaker Magazine.
The post “Dolly and Slider Inside, Steadicam Outside”: Dp Mac Fisken on The Last Stop in Yuma County first appeared on Filmmaker Magazine.
- 5/10/2024
- by Matt Mulcahey
- Filmmaker Magazine - Blog
In The Last Stop in Yuma County, an empty pump at an isolated desert gas station strands a collection of characters (including a pair of bank robbers and knife salesman Jim Cummings) at the adjoining roadside diner. Written around the standing sets available at Four Aces Movie Ranch in Palmdale, California, the feature debut from director Francis Galluppi was partially funded by the sale of producer James Claeys’ house. That provided enough budget for a 20-day shooting schedule, a cast of familiar genre faces, a few epic needle drops and one talented […]
The post “Dolly and Slider Inside, Steadicam Outside”: Dp Mac Fisken on The Last Stop in Yuma County first appeared on Filmmaker Magazine.
The post “Dolly and Slider Inside, Steadicam Outside”: Dp Mac Fisken on The Last Stop in Yuma County first appeared on Filmmaker Magazine.
- 5/10/2024
- by Matt Mulcahey
- Filmmaker Magazine-Director Interviews
Marvel Studios has finally found an actor to play cosmic supervillain Galactus for their “Fantastic Four” reboot helmed by Matt Shakman (“WandaVision”). According to The Hollywood Reporter, Ralph Inseon (“The Green Knight”) has been selected for the fan-favorite villain, Galactus, who is expected to share scenes with Julia Garner’s Shalla-Bal, aka The Silver Surfer (potentially a nod to the Earth-x run of comics).
Continue reading ‘Fantastic Four’: Ralph Ineson To Play Villain Galactus, John Malkovich Joins In Mystery Role at The Playlist.
Continue reading ‘Fantastic Four’: Ralph Ineson To Play Villain Galactus, John Malkovich Joins In Mystery Role at The Playlist.
- 5/10/2024
- by Christopher Marc
- The Playlist
Frederick Wiseman’s filmography will now be available for the first time ever in digital formats.
IndieWire can announce that after a five-year process, all of Wiseman’s 45 films are now available in digital formats. Thirty-three of Wiseman’s features from 1969 through 2006 had to be digitized, as many were shot on film.
“I am enormously grateful to the individuals and organizations whose support made possible the digitizing and restoration of my films, which will now provide new access to the films,” said Wiseman in a statement.
The Library of Congress was involved in delivering the original 16mm negatives for 32 films and one 35mm negative — for “The Last Letter,” a filmed version of the stage play he directed in 2002 at the Comédie-Française — along with the Harvard Film Archive sending the sound elements to DuArt Laboratory and then to Goldcrest Post Production after the historic DuArt closed. The negatives were scanned and color graded by Jane Tomachyov,...
IndieWire can announce that after a five-year process, all of Wiseman’s 45 films are now available in digital formats. Thirty-three of Wiseman’s features from 1969 through 2006 had to be digitized, as many were shot on film.
“I am enormously grateful to the individuals and organizations whose support made possible the digitizing and restoration of my films, which will now provide new access to the films,” said Wiseman in a statement.
The Library of Congress was involved in delivering the original 16mm negatives for 32 films and one 35mm negative — for “The Last Letter,” a filmed version of the stage play he directed in 2002 at the Comédie-Française — along with the Harvard Film Archive sending the sound elements to DuArt Laboratory and then to Goldcrest Post Production after the historic DuArt closed. The negatives were scanned and color graded by Jane Tomachyov,...
- 5/10/2024
- by Samantha Bergeson
- Indiewire
In this week’s episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo ventures into another universe to discuss “Dark Matter.” The Apple TV+ series is based on the Blake Crouch book of the same name and follows a college professor who is abducted into an alternate universe and has to fight his way back to his old life and real family. The show stars Joel Edgerton, Jennifer Connelly, Alice Braga, Jimmi Simpson, and more.
Continue reading ‘Dark Matter’: Joel Edgerton & Jennifer Connelly Discuss Multiversal Sci-Fi Series, ‘Top Gun: Maverick,’ Marvel & More [Bingeworthy Podcast] at The Playlist.
Continue reading ‘Dark Matter’: Joel Edgerton & Jennifer Connelly Discuss Multiversal Sci-Fi Series, ‘Top Gun: Maverick,’ Marvel & More [Bingeworthy Podcast] at The Playlist.
- 5/10/2024
- by Mike DeAngelo
- The Playlist
Following the overnight success of its British import, “Baby Reindeer,” based on the Edinburgh Fringe Festival show from creator and star Richard Gadd, Netflix is facing pushback from one of the television series’ real-life subjects.
The series features Gadd as a version of himself — an alt-comedian working at a bar whose experiences with sexual assault draws him into conflict with a stalker he names “Martha.” Recently, the real “Martha,” a woman by the name of Fiona Harvey, decided to reveal her identity in an interview with Piers Morgan. While she denies having participated in the behavior portrayed on the show, she explained why she chose to go public with her identity.
“On the internet, sleuths tracked me down and hounded me and gave me death threats,” said Harvey during the interview. “So it wasn’t really a choice. I was forced into this situation.”
This is interesting language considering the...
The series features Gadd as a version of himself — an alt-comedian working at a bar whose experiences with sexual assault draws him into conflict with a stalker he names “Martha.” Recently, the real “Martha,” a woman by the name of Fiona Harvey, decided to reveal her identity in an interview with Piers Morgan. While she denies having participated in the behavior portrayed on the show, she explained why she chose to go public with her identity.
“On the internet, sleuths tracked me down and hounded me and gave me death threats,” said Harvey during the interview. “So it wasn’t really a choice. I was forced into this situation.”
This is interesting language considering the...
- 5/9/2024
- by Harrison Richlin
- Indiewire
The perils and plights of adolescence have long been a source of fascination for television audiences. That’s particularly apparent nowadays with Netflix, HBO, Hulu, Showtime, FX, and others vying for zeitgeist dominance with teen-focused dramas playing to a variety of creative strengths. As narratives have gotten more sophisticated overall across the TV landscape, it makes sense that the ways in which we look at stories about young people have also evolved. From “Never Have I Ever” to “Yellowjackets,” TV teens in 2023 are among some of the most rich ever written.
Because life as a teenager is equal parts happy and sad, hilarious and tragic, horny and horrifying, the following curation does not limit selections by genre, meaning: These picks range from animation to sitcoms to murder mysteries to science fiction. That said, there are also a fair number of picks that are entirely focused on the dramatic ups and...
Because life as a teenager is equal parts happy and sad, hilarious and tragic, horny and horrifying, the following curation does not limit selections by genre, meaning: These picks range from animation to sitcoms to murder mysteries to science fiction. That said, there are also a fair number of picks that are entirely focused on the dramatic ups and...
- 5/9/2024
- by Wilson Chapman
- Indiewire
This year’s nominees for the 66th Southern California Journalism Awards were released today by the Los Angeles Press Club and IndieWire received a site-record nine nominations. Coming on the heels of our wins last year for Criticism of TV and Entertainment Reporting and following our 2022 win for Best Website, Traditional News Organization, the entire IndieWire staff has been nominated for Best Website, News Organization Exclusive to the Internet. IndieWire writers also earned nominations for individual accolades in eight categories.
“The nominated work illustrates the scope, insight, and unparalleled quality of our team,” said Dana Harris-Bridson, Senior VP and Editor-in-Chief at IndieWire. “We are thrilled and sincerely appreciate the Los Angeles Press Club for the Southern California Journalism Award nods.”
After winning the award for Best Criticism of TV last year, IndieWire’s Deputy TV Editor and TV Critic Ben Travers is a finalist in the category again for a number of his reviews,...
“The nominated work illustrates the scope, insight, and unparalleled quality of our team,” said Dana Harris-Bridson, Senior VP and Editor-in-Chief at IndieWire. “We are thrilled and sincerely appreciate the Los Angeles Press Club for the Southern California Journalism Award nods.”
After winning the award for Best Criticism of TV last year, IndieWire’s Deputy TV Editor and TV Critic Ben Travers is a finalist in the category again for a number of his reviews,...
- 5/9/2024
- by Harrison Richlin
- Indiewire
From Harrison Ford to Tom Cruise, Hollywood stars have become increasingly comfortable performing stunts in the later stages of their careers. But June Squibb might have set a new standard when she took on the lead role in “Thelma” and did the bulk of her own stunt work at the age of 93.
Josh Margolin’s directorial debut, which is loosely based on a true story about his own grandmother, stars Squibb as a nonagenarian who falls victim to a phone scammer pretending to be her grandson. The injustice inspires her to hop on her motorized scooter and travel across Los Angeles to take down the thief and reclaim her lost funds. The result is an action movie that promises to show audiences that it’s never too late to reclaim agency over your own life.
In addition to Squibb, “Thelma” also features “Shaft” star Richard Roundtree in his final film performance.
Josh Margolin’s directorial debut, which is loosely based on a true story about his own grandmother, stars Squibb as a nonagenarian who falls victim to a phone scammer pretending to be her grandson. The injustice inspires her to hop on her motorized scooter and travel across Los Angeles to take down the thief and reclaim her lost funds. The result is an action movie that promises to show audiences that it’s never too late to reclaim agency over your own life.
In addition to Squibb, “Thelma” also features “Shaft” star Richard Roundtree in his final film performance.
- 5/9/2024
- by Christian Zilko
- Indiewire
It’s a new story, but it’s the same DNA. That’s the clever tag line for the new series “Orphan Black: Echoes,” a spin-off and continuation of the hit series, “Orphan Black” that starred and launched the career of Tatiana Maslany, now known as Marvel’s “She-Hulk.” Set some thirty years later, the series now stars Krysten Ritter, known for “Breaking Bad,” and the Marvel/Netflix series, “Jessica Jones.” Ritter also serves as executive producer and sci-fi thriller will premiere on Sunday, June 23 at 10pm Et/Pt on AMC and BBC America; available to stream on AMC+.
Continue reading ‘Orphan Black: Echoes’ Trailer: Krysten Ritter New Sci-Fi Thriller Premieres June 23 at The Playlist.
Continue reading ‘Orphan Black: Echoes’ Trailer: Krysten Ritter New Sci-Fi Thriller Premieres June 23 at The Playlist.
- 5/9/2024
- by Edward Davis
- The Playlist
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.